by Eliade Moldovan ‧ RELEASE DATE: N/A
This intellectualized sci-fi finale deftly delivers eccentricities and deities that set it apart from most shaggy-god...
Benevolent aliens save humans on Earth from extinction—but discord arises over the visitors’ heretical religious views.
In Moldovan’s (The World Ends Tomorrow, 2018, etc.) sci-fi trilogy, the nation of Esperanto dominated late 24th-century Earth, a planet of 28 billion people. But on Jupiter’s moon Europa, a colony of space folk known as the Fracony was monitoring and directing human affairs. Secretly allied with elites in the Esperanto government—mainly the popular chief executive (“secretary”) Clara—the Fracony came to the rescue after human-caused eco-disasters and plagues struck. Still, only half a billion people survived. With the Fracony now out in the open in this third installment, Clara grants the humanlike ETs (actually alien souls projected across the universe to be born in human bodies) a lab in Antarctica. But the public is displeased by the aliens’ mission: ascertain if Earth was originally a Fracony world billions of years ago, before the solar system’s resident god did a “reset” to create Homo sapiens as obedient worshippers. The Fracony’s polytheist cosmology—numerous gods who are, essentially, exponentially advanced aliens—outrages some Esperanto citizens, especially the tradition-bound priest and “Minister of Religious Affairs” Quinn. Quinn’s anti-Fracony campaign is manipulated by Arram, a leader of a secret society, who covets power. From assassination to media exploitation, Arram uses his allies, agents, and Quinn to remove rivals and turn public opinion against the Fracony. But Arram underestimates Clara, the Fracony, and even fanatical Quinn. Romanian-born Moldovan offers sci-fi more akin to philosophical musing (with a faintly satirical edge) than anything concretely speculative in terms of future super-science or tech. It would help if readers were familiar (as every 25th-century schoolkid is) with Russian scientist Nikolai Kardashev’s categories of theoretical cosmic civilizations. Type I can use energy to dominate its home world; type II can harness the total energy of its star system; type III can control neighboring systems; and so on, each more godlike than the next. Even in 2427, humanity is only “type 0.” The Fracony are “type V” and not immune to literally playing god, even as the “real” deities they acknowledge may fall in the “type VI” or “type VII” stages. The author toys with religion here in the same way more conventional sci-fi writers handle FTL drives, robots, and exobiology. He throws in some truly inspired bits of Robert Anton Wilson-scale weirdness when Arram wrangles leaders of the other sinister secret societies so beloved of conspiracy fiction (Freemasons, Illuminati, Bilderberg, etc.) for meetings that end up being discussions of Euclidean versus non-Euclidean geometry. Which are important. Still, characters tend to be mouthpieces for ideas and symbols rather than three-dimensional players, and much of the loosey-goosey storyline is left unresolved by the end (the matter of Earth’s God, for example). What’s clear is Moldovan’s condemnation of dogmatic religious mania, as shown in one character’s summation of the dangerous Quinn: “Truth has nothing to do with this guy’s values. His problem is that whatever is not in his holy books does not exist.” No players come forth as Adam or Eve stand-ins, which is a remarkable feat for sci-fi in these territories.
This intellectualized sci-fi finale deftly delivers eccentricities and deities that set it apart from most shaggy-god stories.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Kurti Publishing
Review Posted Online: June 26, 2019
Review Program: Kirkus Indie
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by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
by Pat Conroy ‧ RELEASE DATE: Oct. 21, 1986
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
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SEEN & HEARD
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