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ESCAPING THE DELTA

ROBERT JOHNSON AND THE INVENTION OF THE BLUES

Some solid observations ultimately get mired in the Mississippi mud.

A reconsideration of the Mississippi blues singer’s legend in the context of the popular music of his time.

Wald, author of the engaging 2001 musical travelogue Narcocorridos, attempts to debunk the sizable myths surrounding Robert Johnson, today the most lionized of ’30s Delta blues singers. Most of this heavily researched work is devoted not to Johnson, but to the evolution of blues as the popular entertainment of African-Americans. Wald notes that Johnson was a minor commercial figure whose archaic-sounding solo recordings stood in marked contrast to the slick blues hits of his day. He also points out that Johnson’s handful of recordings synthesized, and often purloined, the work of such bestselling contemporaries as Lonnie Johnson, Peetie Wheatstraw, and Kokomo Arnold, as well as such important but comparatively obscure Mississippi musicians as Son House and Skip James. Wald’s central point is that the errant contemporary perception of Johnson as a haunted, “primitive” artist and the key figure of Delta blues grew out of the highly romantic conceptions of such (white) promoters and archivists as John Hammond and Alan Lomax, whose notions were accepted as gospel by the (white) audiences and musicians who made Johnson a posthumous superstar. While one can’t really argue with these conclusions, the reading is unusually heavy sailing. Those seeking fresh insight into Johnson’s music will be disappointed, since chapters about the purported subject offer no new information and little original analysis. The main thesis—which is not exactly stop-the-presses news to blues aficionados, but which could pique come-lately fans—is laboriously developed; it takes Wald, usually a briskly effective writer, more than a hundred lugubrious pages to finally arrive at Johnson’s doorstep. In the end, this is essentially an academic enterprise. Should anyone really be surprised that, at a distance of 65 years, today’s white blues listeners receive Robert Johnson’s music in a very different manner than his original black audience did?

Some solid observations ultimately get mired in the Mississippi mud.

Pub Date: Jan. 1, 2004

ISBN: 0-06-052423-5

Page Count: 368

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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