Despite some well-worn plot expedients and an unduly preachy denouement, a sensitive glimpse into the lives of damaged...
Hilderbrand’s latest Nantucket-based tale details the impact of a tragic accident on three families.
Penelope Alistair and her twin brother, Hobson, are the golden juniors of Nantucket High. Penny, gifted with a beautiful voice, is destined for Broadway or the Met, and Hobby is a star athlete. Both are being courted by elite colleges, to the satisfaction and trepidation of their mother, Zoe, a CIA-trained chef who raised them alone. Driving Hobby, Jake and another friend, Demeter, home from a beach party, Penny goes berserk at the wheel of her boyfriend Jake’s Jeep and speeds off a dead-end road. Penny is killed instantly, and Hobby hovers in a coma for days before awakening to injuries that will dash his athletic ambitions. Jake and Demeter are unscathed, at least physically. Alcoholic, overweight Demeter harbors guilt over something she said to Penny that enraged her. What exactly set Penny off becomes the key mystery of the novel. Jake fears that Demeter told Penny that another girl came on to him. Hobby fears Demeter spread a rumor that his prom date, Claire, is pregnant with his child. Demeter cannot bear to contemplate her indiscretion and instead concentrates on staying drunk, quite a challenge around her socially prominent, sober parents. Her summer job with a lawn crew enables her to pilfer premium liquor from well-heeled Nantucket dwellers who don’t lock their doors. Zoe withdraws from her friends, dedicating herself to Hobby’s recovery. Jake’s father, Jordan, removes him and his mother, Ava, to Ava’s native Perth, Australia. Jordan’s motives are mixed: Ava has longed to return home, and Jake needs a fresh start free of traumatic associations, but Jordan’s main intent is to distance himself from Zoe, his lover since his marriage to Ava foundered over the crib death of Jake’s infant brother.
Despite some well-worn plot expedients and an unduly preachy denouement, a sensitive glimpse into the lives of damaged people groping their way toward healing.Pub Date: June 26, 2012
ISBN: 978-0-31-609983-7
Page Count: 400
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: June 1, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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