Although some of the Quinns' problems are resolved, many are not, happily promising a third installment next year.
In a sequel to last year's holiday novel Winter Street, Hilderbrand improves on the first by delving deeper into the emotional lives of the Quinn clan.
A year has elapsed and the events that closed the first novel have developed: thanks to the generous $1 million loan from his first wife, world-renowned newscaster Margaret Quinn, Kelley can keep his Winter Street Inn open, although it's lonelier now that his wife, Mitzi, has left him for George, their one-time holiday Santa. Kelley and Mitzi's son, Bart, is still MIA in Afghanistan, and Mitzi is falling apart; unhappy with George, she spends most days drunk. The lives of Kelley and Margaret's three children are also in crisis. Patrick is now in prison for insider trading, while his wife, Jennifer, tries to hold their family together with the help of illicit prescription pills. Ava seems to have found “the one” with vice principal Scott, if only she could stop thinking about wild Nathaniel. And middle son Kevin has made good with girlfriend Isabelle and their infant, Genevieve. Hopefully he can avoid his first wife, the troubled Norah, who has returned to the island. This year's Winter Stroll, a Nantucket Christmas tradition, coincides with Genevieve's baptism, bringing together all the Quinns and their issues. Also on island for the festivities is Margaret's beau, Drake, a pediatric neurosurgeon and about as perfect as can be, if only Margaret and he could bow out of their schedules and enjoy each other's company. In the ensuing few days, everyone has life-altering decisions to make—even Ava, now that Nathaniel has returned to the island to propose. Only Nantucket itself is left unscathed by the juicy drama. Described in all its magic (after all these years, one hopes Hilderbrand is on the tourist board's payroll), it seems impossible for such turmoil to exist on the charmed island.
Although some of the Quinns' problems are resolved, many are not, happily promising a third installment next year.Pub Date: Oct. 13, 2015
ISBN: 978-0-316-26113-5
Page Count: 272
Publisher: Little, Brown
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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