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MAKING AN EXIT

A MOTHER-DAUGHTER DRAMA WITH ALZHEIMER’S, MACHINE TOOLS, AND LAUGHTER

It didn’t come cheap, but Fuchs has achieved a beautiful balance of humor and tragedy—all wrung from the same mess of real...

Wry account of a once-alienated daughter who becomes ever more entwined with her mother as the older woman makes a memorable decline.

Fuchs’s mother Lillian was always a force to be reckoned with. Born in 1908, she was the favored, blue-eyed daughter of a Jewish immigrant in the hat trade. She got into Radcliffe in the age of quotas, dropped out and married, then bucked convention again to become a divorced single mother who ran her own business. Seductive, a snappy dresser, and an unabashed narcissist, Lillian makes for a meaty protagonist. Fuchs herself seems perennially surprised by this woman who happens to be her mother; by turns, she’s bemused, frustrated, hysterical, terrified, angry, and entertained. Her memories of childhood are far from warm and cozy, but since she’s done just fine for herself by the standard measures of family and career, the discomfort of watching young Elinor left behind with her grandmother as her mother surges ever forward in her career is tempered by the knowledge that Fuchs is now a professor at Yale with two daughters and a life partner. In any case, there’s little room for pity or censure as the reader is carried along by a great story. Lillian, an adamantly independent woman all her life, finally needs to be taken care of. She’s mostly lost her mind, and although she’ll never really know it, she needs her daughter. Fuchs combines her account of the weirdness of caring for a physically competent, mentally absent woman with episodes from their shared past. Her brisk prose effectively captures Lillian’s energy, the oddities of communication that Alzheimer’s imposes, the endless grind of arranging and placating caregivers, and her own emotional landscape when she finds herself trapped in a state of emergency that lasts a decade.

It didn’t come cheap, but Fuchs has achieved a beautiful balance of humor and tragedy—all wrung from the same mess of real life.

Pub Date: March 1, 2005

ISBN: 0-8050-6317-X

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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