by Elisabeth Åsbrink ; translated by Fiona Graham ‧ RELEASE DATE: Jan. 30, 2018
A skillful and illuminating way of presenting, to wonderful effect, the cultural, political, and personal history of a year...
Among innumerable turning points in history, 1947, just two years after World War II ended, is a year worth review. Åsbrink’s book, translated from the Swedish, makes some of that year’s neglected history and high drama tangible and meaningful.
With a technique reminiscent of John Dos Passos’ “newsreels,” the author records events from across the world (Paris, Palestine, New York, Los Angeles, Budapest, Berlin, Delhi, etc.), using the present tense to create a sense of immediacy. During this year, Primo Levi is 28 and living in Turin, and 56-year-old Nelly Sachs is in Stockholm. Christian Dior arouses global grievance with his “New Look,” and Arnold Schoenberg creates a new musical form. Unreformed Nazis make their unimpeded way to South America, where they freely publish and deny the Holocaust. The Jewish Irgun fights the British in Palestine. The Grand Mufti of Jerusalem and the Arab League vehemently reject the U.N. partition plan. More than 4,500 displaced men, women, and children aboard the Exodus are turned away from the Holy Land. The Muslim Brotherhood began to flourish as the Marshall Plan took shape. Chuck Yeager flies faster than sound, and Britain, as it departs the subcontinent, carves Pakistan from India. It is a time when the British Empire diminishes and the Cold War flourishes. In an account that serves as the core of her book, the author’s father makes his way from deprivation and danger to safety. Throughout the book, Åsbrink artfully selects her narratives. Though romantic Anglophiles will not find a report of the marriage of Philip and Elizabeth, the love story of Simone de Beauvoir and Nelson Algren is more intriguing (“they set their own rules for their transatlantic love, beyond convention and the law”).
A skillful and illuminating way of presenting, to wonderful effect, the cultural, political, and personal history of a year that changed the world.Pub Date: Jan. 30, 2018
ISBN: 978-1-59051-896-0
Page Count: 288
Publisher: Other Press
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by Elisabeth Åsbrink ; translated by Saskia Vogel
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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