A sometimes-effective parable about art that fails to exceed its modest ambitions.



In Stevens’ (Ride a Bright and Shining Pony, 2013, etc.) short story, a writer attends a dinner full of mysterious characters.

An aging author is putting the finishing touches on what he believes will be his final novel when he receives an invitation to a Christmastime dinner party. He sends back an acceptance before continuing to work on his revisions. As a respected novelist, his life has become a sedate routine of writing and seeing his grandchildren on the weekends. But when the night of the party arrives, he finds himself confronted with a scene as intriguing as it is confounding. The elegant venue contains a motley crew of oddly familiar guests, including a dirty infant and elegantly dressed women, who seem to have little in common apart from their excitement at his presence. Soon enough, however, he realizes why they all seem familiar: They’re all characters from his own novels. He enjoys a surreal evening until he has a strange encounter with an enigmatic woman named Evadne—the only character he doesn’t recognize. Some of the five full-page, black-and-white illustrations that accompany Stevens’ short story have a certain charm. Mostly, though, they’re awkward and amateurish—particularly the images of women, whose anatomical proportions bear little resemblance to reality. The story’s tone and concept are reminiscent of a fairy tale’s, and at moments, it strikes just the right notes, as in the author’s ruminations about his success: “Once, not long before he had discovered her after dinner in her chair––dead––he recalled confiding to his wife: ‘You know, dear, I don’t write them—I only write them down.’ ” However, Stevens doesn’t do as much as she could with her tale’s conceit. For the most part, she simply describes her author’s characters instead of having them do anything interesting. Her romantic depiction of Evadne, meanwhile, is both predictable and tiresome.

A sometimes-effective parable about art that fails to exceed its modest ambitions.

Pub Date: Oct. 21, 2014


Page Count: -

Publisher: Goss Press

Review Posted Online: Dec. 10, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...


Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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