A compelling account informed by German postwar history.
In novelistic form, Garibaldi reconstructs the persecution of her family member, a German Holocaust survivor, by former Nazis following World War II.
Like so many Jewish people in Germany, Carl Katz struggled under the tyranny of Adolf Hitler’s rule. He was arrested by SS officers in 1938 and spent time in concentration camps, first at Sachsenhausen and then at Theresienstadt with his family. He was desperate to keep his loved ones together and alive—a task made possible when he was appointed as a kind of camp manager, a precarious position that gave him a very small measure of influence over his family’s fate. Katz survived the camps, as did his wife and daughter, but his mother-in-law did not. However, after the war, former Nazis who remained in power continued to pursue him, and he was accused of collaboration and crimes against humanity for decades, based on the testimony of discredited witnesses, according to Garibaldi, Katz’s great-granddaughter. In these pages, she rigorously reconstructs the case against him, built on charges conjured from what she calls “fantasies of retribution” of former Nazis. She composes three narrative lines: the plight of the Katz family during the war, Katz’s dedication to rebuilding Germany in its aftermath, and the criminal charges that followed him until his death. Over the course of this work, the author makes her case for his great-grandfather’s innocence with journalistic scrupulousness, basing it on judicial records and personal documents, and she presents a literary, engaging account of events in Katz’s life. She also carefully explores the continued presence and surprising power of ex-Nazis following the war, which, she says, ensured that Carl’s trial would be unfair. Overall, Garibaldi’s work is a useful contribution to the historical record, as it provides an astute look at the intractable challenges to Germany’s denazification.
A compelling account informed by German postwar history.Pub Date: July 16, 2021
ISBN: 978-0-578-94956-7
Page Count: 246
Publisher: Hypatia's Scrolls LLC
Review Posted Online: Sept. 28, 2021
Review Program: Kirkus Indie
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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