Next book

THE OTHER ALCOTT

Hooper is especially good at depicting the complicated blend of devotion and jealousy so common among siblings. Some clumsy...

A mix of history and imagination, this debut novel focuses on May Alcott, the model for Amy in Little Women and youngest sister of the book’s widely chronicled author, Louisa May Alcott.

The story begins with the 1868 publication of Little Women, which fictionalized the lives of all four Alcott sisters. Louisa is on her way to literary superstardom; a driven, prolific writer, she will become the breadwinner for her impoverished New England family. May longs to be taken seriously as an artist. But the press has sharply criticized her illustrations for her sister's book. Louisa, meanwhile, sees May as a high-spirited dilettante, dedicated to having fun. Determined to prove Louisa wrong, May dodges a serious suitor and signs up for rigorous art classes, first in Boston, then in Europe, where she mingles with other artists (some real, like Mary Cassatt, others fictional or composites). Slowly, her skill and confidence grow. Louisa, despite her trepidations, has partly subsidized May’s European studies, but she eventually demands May come home to help care for their ailing mother. May refuses. She continues painting and marries a much-younger man after a brief courtship. Reconciliation with her sister proves elusive. There are echoes of Little Women throughout and themes that will resonate with contemporary readers. May struggles fiercely with the competing demands of family and work (Louisa, for her part, never marries). There’s also the push-pull of making money versus making art: Louisa believes Little Women and its profitable sequels are beneath her, and she publishes more provocative work under a pen name. May finds early success making copies of Turner paintings but must drive herself to develop her own style.

Hooper is especially good at depicting the complicated blend of devotion and jealousy so common among siblings. Some clumsy exposition aside, this is a lively, entertaining read.

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-264533-3

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 336


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller

Next book

THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Awards & Accolades

Likes

  • Readers Vote
  • 336


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Close Quickview