The author (One for Sorrow, Two for Joy, 2007, etc.) has created an ordinary fictitious family and stitched together a...


Juska explores the collective experiences, traditions and loyalties of a close-knit family and the perspectives of individual members as they journey through a span of 30 years.

Like many other middle-class Philadelphia Irish-Catholic clans, the Blessings are tight. They celebrate every holiday in time-honored fashion (men in front of the television or tending the grill; women preparing side dishes and cleaning up), rally together during crises and proudly acknowledge important milestones. It’s not surprising, then, that when oldest brother John succumbs to cancer shortly after his father’s fatal heart attack, his illness and death become the definitive reference points in the Blessings’ lives. Widow Lauren, the mother of two young children, is an only child and relied on John to help her feel comfortable among the Blessings. She faces the death of her husband as many widows do—by withdrawing from others—but as time passes, she helps another family member and becomes an integral part of the clan. Her sister-in-law Kate is married to the youngest Blessing, Patrick, and blames his grief over his brother’s death for her initial failure to conceive; later, Patrick evaluates the direction his life has taken. John’s sisters cope privately with problems as their children grow older and the family continues to commemorate John’s life on the anniversary of his death. Ann and her husband, Dave, become increasingly alienated and finally divorce; their eldest daughter pursues life and love in NYC, their academically gifted son does the unexpected, and their youngest daughter battles an eating disorder. Sister Margie has tried to stifle anxiety over a confession her husband made years ago, but now her eldest son is in trouble, and although she knows taking certain actions will only cause her more pain, she insists that her husband unbury the past and help him. Juska’s story is like leafing through an old family photo album, where typically unremarkable moments are captured in black and white. What makes the album unique isn’t its contents but the way each photo abuts or overlays the next.

The author (One for Sorrow, Two for Joy, 2007, etc.) has created an ordinary fictitious family and stitched together a multilayered, sympathetic account of its members' lives.

Pub Date: May 6, 2014

ISBN: 978-1-455-57403-2

Page Count: 272

Publisher: Grand Central Publishing

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Why you double-crossing little double crossers! Fiendishly clever.


The daughter of a grifter plans to fund her mother’s cancer treatment with a revenge con.

Rich people suck, don’t they? Nina Ross found this out in her adolescence, when her romance with Benny Liebling was broken up by his status-obsessed, old-money father, who found them screwing in the guest cottage of the family’s Lake Tahoe estate. Back then, Nina had a future—but she’s since followed her con-artist mother into the family business with the help of a handsome blue-eyed Irish confederate named Lachlan. “Here’s my rule,” Nina tells him. “Only people who have too much, and only people who deserve it.” Of course, he agrees. “We take only what we need.” With her art history background, Nina is usually able to target a few expensive antiques they can lift without the rich dopes even noticing they’re gone. But now that Nina's mother is hovering at death’s door without health insurance, she’s going after the $1 million in cash Benny mentioned was in his father’s safe all those years ago. So back to Lake Tahoe it is. The older Lieblings are dead, and Benny’s in the bin, so it’s his sister Vanessa Liebling who is the target of the complicated caper. Vanessa is a terribly annoying character—“I couldn’t tell you how I went from a few dozen Instagram followers to a half-million. One day, you’re uploading photos of your dog wearing sunglasses; and the next you’re begin flown to Coachella on a private jet with four other social media It Girls…”—but, in fact, you’ll hate everyone in this book. That is surely Brown’s (Watch Me Disappear, 2017, etc.) intention as she’s the one making them natter on this way. She also makes them vomit much more than is normal, whether it’s because they’re poisoning each other or because they’re just so horrified by each other’s behavior. Definitely stay to see how it all turns out.

Why you double-crossing little double crossers! Fiendishly clever.

Pub Date: April 21, 2020

ISBN: 978-0-525-47912-3

Page Count: 496

Publisher: Random House

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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