The author (One for Sorrow, Two for Joy, 2007, etc.) has created an ordinary fictitious family and stitched together a...



Juska explores the collective experiences, traditions and loyalties of a close-knit family and the perspectives of individual members as they journey through a span of 30 years.

Like many other middle-class Philadelphia Irish-Catholic clans, the Blessings are tight. They celebrate every holiday in time-honored fashion (men in front of the television or tending the grill; women preparing side dishes and cleaning up), rally together during crises and proudly acknowledge important milestones. It’s not surprising, then, that when oldest brother John succumbs to cancer shortly after his father’s fatal heart attack, his illness and death become the definitive reference points in the Blessings’ lives. Widow Lauren, the mother of two young children, is an only child and relied on John to help her feel comfortable among the Blessings. She faces the death of her husband as many widows do—by withdrawing from others—but as time passes, she helps another family member and becomes an integral part of the clan. Her sister-in-law Kate is married to the youngest Blessing, Patrick, and blames his grief over his brother’s death for her initial failure to conceive; later, Patrick evaluates the direction his life has taken. John’s sisters cope privately with problems as their children grow older and the family continues to commemorate John’s life on the anniversary of his death. Ann and her husband, Dave, become increasingly alienated and finally divorce; their eldest daughter pursues life and love in NYC, their academically gifted son does the unexpected, and their youngest daughter battles an eating disorder. Sister Margie has tried to stifle anxiety over a confession her husband made years ago, but now her eldest son is in trouble, and although she knows taking certain actions will only cause her more pain, she insists that her husband unbury the past and help him. Juska’s story is like leafing through an old family photo album, where typically unremarkable moments are captured in black and white. What makes the album unique isn’t its contents but the way each photo abuts or overlays the next.

The author (One for Sorrow, Two for Joy, 2007, etc.) has created an ordinary fictitious family and stitched together a multilayered, sympathetic account of its members' lives.

Pub Date: May 6, 2014

ISBN: 978-1-455-57403-2

Page Count: 272

Publisher: Grand Central Publishing

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

No Comments Yet

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

A love letter to the power of books and friendship.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?