Whether or not these characters grip us, we certainly understand their phlegmatic fatalism, encapsulated in the recurring...
Arbitrary whimsy and narrative fireworks are the order of two tense days in June in a hitherto sleepy Florida resort (the title town)—in this heavy-breathing 1998 novel by Cuban journalist and poet Alberto.
It goes sort of like this. “Beto” Milanes, a Cuban combat soldier who served during the war in Angola (“a psychopath who talked endlessly about Bengal tigers, African leopards, blowflies in the air and military ambushes . . . ,” among other things), and who has tried and failed to kill himself, takes three college kids prisoner and forces them at gunpoint to commit violent acts of vandalism, preparatory to offing him. Constable Sam Ramos, likewise a veteran of multiple military campaigns (and linked, as we learn, to Milanes), must deal with these annoyances as well as his gay transvestite son Nelson's unruly misbehavior at the Bastille bar and relationship with his Armenian lover Tigran Androsian (reputedly “afraid of chickens”: don't even ask). A hot-blooded hooker and a tireless neighborhood busybody make Sam's life even more miserable. If that weren't enough already, flashbacks to the three students' relationships at their Manhattan college reveal further sexual and other behavioral particulars and permutations—as do Beto's hallucinatory identity crisis and deranged memories of his roundheeled mother, “Caterina the Great.” In case we've missed anything, Alberto thoughtfully provides a concluding Appendix that gives us more information about his 30 or so significant characters, and a Chronology of “The Facts in the Case” compiled by the exhausted Constable Ramos. This seems tantamount to admitting that many readers will finish the book still wondering exactly what's going on.
Whether or not these characters grip us, we certainly understand their phlegmatic fatalism, encapsulated in the recurring sentence “God must know why the hell he does what he does.” Presumably, Alberto does too, but you'd never know it from Caracol Beach.Pub Date: May 16, 2000
ISBN: 0-375-40540-2
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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