An uneven effort with somewhat flat characters and prose that fails to sing consistently.
A sprawling novel about the regrets and desires of a family of women.
Acevedo’s widely anticipated new novel, her first for adults, begins with an oblique bit of magic: Flor, who for her whole life has been able to predict when and how people will die, announces that she will be holding a living wake for herself, and all her siblings are invited (and their children, too). Whether Flor has predicted her own death—or anyone else’s—doesn’t become clear to either the reader or Flor’s family until later. In the meantime, we’re introduced to Flor’s sisters, Matilde, Pastora, and Camila; her daughter, Ona; and her niece Yadi, many of whom have magical powers of their own. Chapters alternate among points of view, but unfortunately, Acevedo hasn’t endowed any of these characters—aside from Ona—with a particularly distinctive voice, which means that it can take a bit of effort to remember who’s who. The novel’s pacing sags, too, and despite the anticipation of Flor’s upcoming wake, there isn’t much in the way of forward momentum. In places, Acevedo’s prose seems rushed or slightly tangled. At one point, she writes, “the alarm system that most folk have that trip one into fight or flight was muted in Flor”—an unnecessarily wordy sentence that relies on a mixed metaphor. Even the casual references to magic feel tired, as if Acevedo had borrowed the affectation from other writers but hadn’t imbued it with a flavor all her own. Elsewhere, though, the prose shines: “Maybe that is the original definition of nightmare? A dream that gallops through, dragging the dreamer from one haunting to the next.”
An uneven effort with somewhat flat characters and prose that fails to sing consistently.Pub Date: Aug. 1, 2023
ISBN: 9780063207264
Page Count: 384
Publisher: Ecco/HarperCollins
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A storytelling tour de force that lives up to the promise of its name.
In the wake of the destructive Black Sunday dust storm in 1935, four outcasts dare to offer their dying town a radical vision of the future.
Antonina Rossi, an Italian immigrant and survivor of the Milford Home for Unwed Mothers, is the prairie witch of Uz, Nebraska. By falling into a trance, she relieves customers of memories they no longer want and deposits them in the vault of her subconscious. When the dust storm sweeps those memories clean away, Rossi recognizes her “bankruptcy” for what it really is: a mortal danger. Like most witches, Rossi is an outsider, and she throws her lot in with a band of fellow misfits. There’s Asphodel Oletsky, a teen basketball star and born hustler in love with her best friend; Harp Oletsky, Dell’s shy bachelor uncle, whose farm miraculously survives the roiling clouds of dust; and Cleo Allfrey, a Black government photographer sent to document the crisis with a camera that somehow captures the past—and the possibilities of the future. Russell has always expertly woven the strange into depictions of the everyday, and her long-awaited second novel is no exception. Though the language here is looser and more conversational than in her past work, she still has a knack for capturing images in a deft turn of phrase—the flowers of a potted begonia have “small, blushing faces,” for instance. But what’s really on display here is Russell’s reckoning with America’s past and her hopeful appeals for its future. She juxtaposes the immigration story of the Oletskys against the forced removal of Native Americans from the West and lets the catastrophe of the Dust Bowl resonate with the contemporary horrors of climate change. Characters struggle with their complicity in the American project of Native erasure and violence against vulnerable people, reinforced by the collective forgetting that prairie witches enable. While the full picture of the novel takes time to develop, the final portrait is as unforgettable as the images Cleo Allfrey hangs on her darkroom line: A singular, haunting vision that fearlessly excavates the past and challenges the reader to face the future head-on.
A storytelling tour de force that lives up to the promise of its name.Pub Date: March 11, 2025
ISBN: 9780593802250
Page Count: 432
Publisher: Knopf
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Catastrophic climate change seems all too real through the eyes of a Florida girl.
Climate apocalypse is the setting for a formidable young woman’s coming-of-age.
Kirby Lowe is a lineman for the utility company in the small town of Rudder in southeast Florida. With a huge hurricane heading in, he’s called to work before it arrives. He hates leaving his pregnant wife and his two young sons at home, but they’re prepared, or so they think. The first part of this novel is a harrowing description of that storm and the destruction it wreaks; the second part picks up 10 years later with Kirby and his surviving family: grown son Lucas and 10-year-old daughter Wanda, named for the hurricane during which she was born. In a convincingly portrayed near-future Florida, climate change has accelerated. The hurricanes come faster and fiercer, and the barrier island communities are already slipping under the sea. Kirby and Lucas, now also a lineman, have so much work that Wanda is often on her own, and her adventurous streak worries her father. He finds her an after-school caretaker, a retired biology professor named Phyllis, who turns out to be the perfect choice. Soon the pair are conducting field studies of the local flora and fauna, and Phyllis, who as a biologist and former park ranger has seen climate disaster coming for years, starts teaching the girl how to grow a garden, keep chickens, forage, and use other survival skills. As Wanda grows up, the waters rise higher and the summers blaze hotter, and climate refugees begin to flee the state. Before long, mostly depopulated towns shut down, then even big cities are abandoned. “Eventually,” the author writes, “the federal government announced the widespread closure of Florida as a whole, as if it were a rundown theme park with a roller coaster that was no longer safe to ride.” Those who remain—Wanda and Phyllis among them—are on their own. Brooks-Dalton creates an all-too-believable picture of nature reclaiming Florida from its human inhabitants, and her complex and engaging characters make climate disaster a vividly individual experience rather than an abstract subject of debate.
Catastrophic climate change seems all too real through the eyes of a Florida girl.Pub Date: Dec. 6, 2022
ISBN: 978-1-5387-0827-9
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
BOOK REVIEW
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