by Elizabeth Bard ‧ RELEASE DATE: April 7, 2015
Delectable reading.
A journalist’s account of the unexpectedly rich life she and her French husband made together after leaving Paris for a small town in southern France.
When a very pregnant Bard (Lunch in Paris, 2010) and her husband, Gwendal, visited Céreste, it was to see the village that had been home to a French poet and Resistance leader named René Char. After they chatted with the daughter of Char’s wartime lover, they discovered that her family was about to sell the house where the poet had lived. The pair bought the house on impulse the next day, certain only of the fact that Céreste was “where [they] would become a family.” A neighbor's move-in gift of a basketful of homegrown vegetables became the symbol of what would quickly become the couple’s organizing principle: food. Not only was it something that, in all its delicious Provençal variety, was one of Bard’s “central pleasures.” It was also the way she would continue to forge an identity for herself apart from her Brooklyn-born mother and her American supermarket tastes. Through sharing recipes—many of which she includes in this book, as in her previous book—Bard negotiated and built relationships with her French friends and extended family. When she realized that pain from her own childhood was preventing her from bonding with her son, cooking with her child became the way she repaired the rift between them and healed her own heart. Gwendal also found his own salvation in food. Faced with a decision to rejoin the corporate world and become an unhappy “cog in the wheel,” he decided instead to open an artisanal ice cream shop with his wife. Like the Provençal food and lifestyle it celebrates, Bard’s book is one to be savored slowly and with care.
Delectable reading.Pub Date: April 7, 2015
ISBN: 978-0-316-24616-3
Page Count: 360
Publisher: Little, Brown
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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