Both the incisiveness and the perspective—of a civilian professor and the military students she loves and mourns—enrich...
A singular mix of literary criticism and memoir from a West Point English professor who helps plebes mold the mindset that prepares future officers for war.
Samet (Soldier's Heart: Reading Literature Through Peace and War at West Point, 2007) began teaching the freshman literature course at West Point in 1997 and considers this “the most important trust I have been given in my professional life.” Throughout this book, she mediates between the universality of great literature—and popular culture in general—and the specific psychic demands placed on the military, not only in combat, but in re-entry to civilian life. In the process, she encompasses everything from the Odyssey and Shakespeare to War and Peace to Catch-22 (which she initially loved but found harder to read the more experience she had with former students dying in battle), with side excursions into baseball, boxing and motorcycle gangs. She explains how the latter arose in the aftermath of World War II, from vets who had difficulty adjusting to the routines of domesticity. She quotes one former student–turned-biker on the sensation of “being in control and out of control simultaneously. On the very razor’s edge….It’s that same…feeling that follows you everywhere in a combat zone.” The title refers to, among other things, the transition by soldiers coming home who have yet to leave the war behind—“a terrain that seems as strange as it ever was: a no man’s land peopled by ghosts yet by the living, too. War vertigo is the order of the day….” This is a book about narrative, about the stories we tell ourselves to make sense of our lives, about the revisions we make when those stories no longer cohere, about endings that don’t provide resolution, let alone the cliché of closure.
Both the incisiveness and the perspective—of a civilian professor and the military students she loves and mourns—enrich readers’ appreciation for the psychological complexities of war and its aftermath.Pub Date: Nov. 4, 2014
ISBN: 978-0-374-22277-2
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 12, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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