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THE ANNOTATED MEMOIRS OF ULYSSES S. GRANT

This is the edition that serious students of the Civil War, and Grant’s role in it, will want. Indispensable.

A new edition, with thorough commentary, of the memoirs of an American Caesar—and indeed, a book long reckoned to be America’s version of The Gallic Wars.

Ulysses S. Grant (1822-1855) began his military career without much promise but distinguished himself in combat in the Mexican-American War, where, as he recounts, he came into contact with many of his future opponents in the Civil War. His legendary service in the Western theater of operations, and later as commander of the entire Union Army, led to his election and re-election as president, but all that did not save him from being bilked by a business partner—and thus this memoir, which none other than Mark Twain convinced him to publish to provide for his soon-to-be-widow, since Grant was already ill with cancer. As editor Samet (English/West Point; No Man's Land: Preparing for War and Peace in Post–9/11 America, 2014, etc.) notes, rumors immediately emerged that Twain had ghostwritten it. In fact, Grant labored endlessly on this massive book, which, writes Samet, “is the artifact that does justice to his achievement as the leader of an army that preserved a nation and emancipated four million people.” Grant’s writing is simple and unadorned, though those who read between the lines will see that he is nothing if not politically astute. His account of the political troubles of William Tecumseh Sherman for offering the same mercies as he had to the vanquished Confederate forces is a model of understatement—though, he adds, “the feeling against Sherman died out very rapidly, and it was not many weeks before he was restored to the fullest confidence of the American people.” If anything, Samet might be criticized, gently, for being too vigorous in annotation; an early disquisition on the French and Indian War, for instance, is orders of magnitude longer than the aside of Grant’s that prompted it, and it begs to be reined in. Nonetheless, for Civil War buffs, this is a must-read.

This is the edition that serious students of the Civil War, and Grant’s role in it, will want. Indispensable.

Pub Date: Nov. 6, 2018

ISBN: 978-1-63149-244-0

Page Count: 1024

Publisher: Liveright/Norton

Review Posted Online: Aug. 12, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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