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SACRAMENT OF LIES

Run-of-the-mill psychological thriller tarted up with psychobabble.

Is the governor of Louisiana planning to kill his daughter because he knows that she knows he killed her mother to further his political and romantic interests—or is the daughter simply paranoid?

Thirty-five-year-old Grayson Guillory finds an unmarked video in a hollowed-out copy of a Huey Long biography. Even before she watches it, she suspects the worst, and she’s right: the tape shows Grayson’s mother, shortly before her supposed suicide 11 months before, claiming that her husband, whose political ambitions range beyond the governor’s mansion, was plotting with others to kill her. Still deeply depressed about her mother’s death, Grayson begins to suspect every word and deed of her beloved father—who waited only two months to marry his dead wife’s sister. She also suspects his cronies, including her own fiancé Carter, her father’s closest political aide. Using italics to suggest the divisions growing inside Grayson as she second-guesses her own and everyone else’s motivations, Dewberry (a.k.a. Elizabeth Dewberry Vaughn: Break the Heart of Me, 1994, etc.) effectively depicts her narrator’s increasing paranoia as it races alongside her increasingly reasonable dread. But Grayson is so spoiled and self-centered that readers will find it difficult to care much about her predicament, particularly since the narrow world she and the governor’s entourage inhabit is peopled by others even less likable or believable. Grayson’s mother is the worst sort of Tennessee Williams reject while her father is a Huey Long wannabe. Carter, meanwhile, is a noncharacter whose only interesting trait, collecting fish for his salt-water aquarium, turns out to be a plot device. Since his relationship with Grayson lacks nuance or romance, the fact that he may be manipulating or betraying her isn’t particularly disturbing. In truth, as the body count rises, the mystery of who did what becomes almost comically obvious—despite Dewberry’s ever-so-serious pretensions.

Run-of-the-mill psychological thriller tarted up with psychobabble.

Pub Date: Feb. 1, 2001

ISBN: 0-399-14854-X

Page Count: 240

Publisher: BlueHen/Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2001

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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