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MIRIAM'S KITCHEN

A MEMOIR

An appealing, sensitive account of an assimilated Jewish woman's efforts to embrace the religious traditions of her ancestors. Former Business Week reporter Ehrlich (Nellie Bly, 1989) recounts a childhood where Judaism was merely kosher-style. Like so many other immigrants and children of immigrants, Ehrlich's left-wing parents shunned many of their religion's constraints. While pork didn't make it to their kitchen, shrimp did. And eating corned beef on ``Jewish'' rye became their most Jewish experience, ``the taste without the blessing.'' After Ehrlich married, she hungered for something more, finding that cultural nourishment from her mother-in-law, Miriam, who as a teenager had been sent to a Nazi work camp, but survived the horror with her spiritual pantry intact. From this living link to her grandmothers and their traditions, the author was able to learn the recipes to more than a culinary Judaism. The dietary laws led to Sabbath observance, which enriched her family with 24 hours of ``contemplation, rest, and praise as a gift . . . that punctuates the temporal world.'' Ehrlich's journey is not without occasional lapses and misgivings. She worries about the parochialism of her children's Jewish day school and prefers to tell professional contacts that she's a vegetarian, so that her dietary restrictions don't ``drive in a wedge.'' Nor is she completely comfortable with the Orthodox exclusion of women from the traditional prayer quorum, or minyan. ``I hope that a minyan will gather when I die,'' she writes, ``and that it will have women in it.'' While Ehrlich is not all that sure whether prayer matters or God plays a personal role in our lives, she is certain that the religious traditions she has adopted have made her life far more meaningful. Replete with family narratives and over two dozen recipes, Miriam's Kitchen is much more than one woman's journey to spiritual fulfillment. It is a savory stew made from the social and cultural ingredients of American-Jewish life. (Author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-670-86908-2

Page Count: 368

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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