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WHILE THE GODS WERE SLEEPING

A JOURNEY THROUGH LOVE AND REBELLION IN NEPAL

An insider’s view of the struggles inherent in any attempt to straddle different cultures.

In her debut, memoirist and anthropologist Enslin writes of her experiences marrying a high-caste Brahman man, giving birth and living with his family on the central plains of Nepal.

While earning her doctorate from Stanford University, the author altered her course after meeting Pramod, a student from Nepal. Originally slated to study African culture for her thesis, she changed her focus to India so that she and Pramod could conduct their anthropology fieldwork together. They briefly visited Nepal to meet his family and then returned to the United States to marry and finish their coursework. After her unexpected pregnancy constrained her fieldwork, Enslin shifted her focus to Nepali women’s political movements. She lived with her in-laws off and on for the next eight years, and cultural differences became tantamount as she was exposed to caste distinctions. Aama, Pramod’s mother, became a central figure in the author’s life, telling stories, creating songs, learning to read, mediating disputes and almost running for political office. She smoothed Enslin’s transition into the family and her new homeland. The author opens a window on a multigenerational rural family, showing how outside tensions and upheaval affect them. With an anthropologist’s eye, she describes weddings, childbirth and women’s gatherings. Her observations have been honed by years of daily chores and family intimacy, and she conveys the difficulties in fitting into her husband’s home and adapting to Nepali culture while earning a doctorate and preparing for the birth of her son. “I remembered my research filtered through a haze of poor planning, pregnancy, sleeplessness, and mild postpartum depression,” she writes. The author also includes a helpful glossary of Nepali words at the end of the book.

An insider’s view of the struggles inherent in any attempt to straddle different cultures.

Pub Date: Oct. 1, 2014

ISBN: 978-1580055444

Page Count: 256

Publisher: Seal Press

Review Posted Online: July 21, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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