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MONSTROUS BEAUTY

Not so much romance as suspense, this stylish fantasy mesmerizes.

A mermaid's attraction to a man begets both love and evil in the waters off Plymouth, Mass., where these exotic creatures have always lived and will live forever.

The romance between Syrenka and her beau, Ezra, in 1872 leads to a particularly disturbing murder-suicide, and the pact she makes with Noo’kas, the queen of the mermaids, has repercussions that reach into the present. In modern times, Hester puzzles over her family history; her female ancestors have tended to die young for generations, her mother included, making her decide to swear off love and maybe have a chance to survive into old age. Fama's lush language makes the past seem as immediate as the present-day scenes. Fantasy elements are incorporated seamlessly, so despite knowing about the mermaids from the first, readers will only gradually comprehend the extent to which they have influenced the lives of those around them. The sense of foreboding grows as Hester learns more and more about the past and struggles to find answers to her questions about her own future. The blend of history and fantasy enhances both storylines as the narrative shifts between past and present, gradually doling out clues. Dilemmas and choices are complex, providing much food for thought.

Not so much romance as suspense, this stylish fantasy mesmerizes. (Fantasy. 12 & up)

Pub Date: Sept. 4, 2012

ISBN: 978-0-374-37366-5

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 29, 2012

Kirkus Reviews Issue: June 15, 2012

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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