Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

READ REVIEW

STALKING JACK THE RIPPER

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a...

NOT EVEN BONES

From the Market of Monsters series , Vol. 1

An adolescent, yet Nietzschean, examination of humanity and horror.

Nita is a monster. Literally. She can heal her own wounds and even block her pain receptors. But she and her mother also deal in monsters, species regulated by the International Non-Human Police, selling their body parts on the black market. Her ghoulish mother hunts and kills, while Nita dissects them with a meditative grace, trying to think of herself as innocent. But when Nita’s conscience inconveniently prevents her from vivisecting a live specimen, she’s kidnapped and taken to the Amazon, caged by people in the same business. Menaced by a zannie (creatures that feed off physical pain) and a ruthless woman, Nita, who is mixed species (with a brown-skinned human father and a nonhuman mother), has to figure out how to escape and whether she has any morals to live by. The vivid setting, Mercado de la Muerte (one of several Death Markets worldwide) in a sweltering South American jungle populated by buyers, sellers, and sold, is matched by a zipping plot interspersed with deliciously horrifying and gory scenes of dismemberment and destruction. Equally intriguing is the constant musing on what makes a monster, how people respond to trauma and control, and how one’s choices affirm or deny one’s own humanity.

A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a pleasingly hard-to-stomach way. (Fantasy. 15-adult)

Pub Date: Sept. 4, 2018

ISBN: 978-1-328-86354-6

Page Count: 368

Publisher: HMH Books

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

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Crackling with energy, just the ticket for an all-night read.

THIS SAVAGE SONG

Natural enemies find themselves reluctant allies in a war-torn, monstrous future.

Schwab’s latest seems poised to grab both her adult and teen readers; the world is fascinating (if sometimes a little thin—education and technology are almost exactly the same in this future), the characters complicated, and the political machinations and emotional depths both charged and compelling. The scene: an isolated supercity in former middle America, populated by the evil Corsai and Malchai and the more complicated Sunai, who can kill only those who have killed (and must do so regularly to maintain their semblance of humanity); all have been born from moments of violence. Against this, Kate Harker (fair-haired, partially deaf, inclined to arson and spying) returns to appease and impress her father, who controls the Malchai and half the city. Across town, Sunai August (seemingly 16, black haired and gray-eyed, a monster who tries to be human) wants his adoptive father’s side to succeed in creating a better world. Family and interpersonal dynamics, questions of good and evil, horrifying monsters (some of them human), and moments of violence both graphic and poetic serve as backdrop to a growing sense of kinship between Kate and August, who want a better world—but probably won’t get one, based on the zinger of an ending.

Crackling with energy, just the ticket for an all-night read. (Futuristic fantasy/horror. 15 & up)

Pub Date: June 7, 2016

ISBN: 978-0-06-238085-2

Page Count: 464

Publisher: Greenwillow Books

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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