Though earnestly researched, the narrative feels disjointed, and the book is never quite as engrossing as the potential for...
An investigation of the world of death fraud.
The fantasy of faking one’s death or simply disappearing has sparked writers’ imaginations for centuries, from Shakespeare to Gone Girl author Gillian Flynn to the creators of TV shows such as Mad Men. Surprisingly, however, there hasn’t been much written on the actual nuts and bolts of planning such an event. Given the demands of our present era, Greenwood (Creative Writing/Columbia Univ.) believes the subject is more compelling now than ever. “Today disappearing seems virtually impossible,” she writes. “This, I think, is what accounts for our renewed fascination with it. We are burdened with our search histories and purchase histories and data stats that constitute our profile, to then be lumped and farmed out and sold to the highest bidder. Disappearing means disconnecting—unimaginable yet totally captivating. Precisely because it has become unfeasible, that deep urge to be anonymous, or even to be someone else, exists evermore powerfully within us.” In her research, the author consulted with experts such as Frank Ahearn, bestselling author of How to Disappear, and private investigator Steve Rambam. Greenwood interviewed individuals who have attempted to fake their deaths—e.g., John Darwin, who, after staging his own drowning, successfully disappeared for more than six years before becoming a local celebrity in England. The author also befriended a woman who has become the public face of the “Believers,” a committed group of fans who are certain that Michael Jackson is still alive. Ultimately, Greenwood traveled to the Philippines, a country with notoriously high incidents of death fraud, and endeavored to stage her own “pseudocide.” The author, perhaps inspired by writers such as Mary Roach or Susan Orlean, attempts a lighthearted approach to her material, interweaving personal experiences and insights, but the humor is a mixed bag.
Though earnestly researched, the narrative feels disjointed, and the book is never quite as engrossing as the potential for the intriguing content would suggest.Pub Date: Aug. 9, 2016
ISBN: 978-1-4767-3933-5
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 22, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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