This judicious gathering is a fine place to sample Hardwick’s work.
More essays from a master of the form.
Hardwick’s essays have been getting a new look thanks to Cathy Curtis’ recent bio, A Splendid Intelligence, so editor Andriesse’s collection of 35 previously uncollected essays—published in Vogue, Vanity Fair, the New York Review of Books, and other publications—is well timed. In the first piece, Hardwick writes that a “collection of essays is a collection of variations,” and these pieces showcase her own range of interests and what Andriesse calls “the poise of her prose.” In the first section, “Places, People, Things,” Hardwick begins with personal reminiscences, writing about her beloved, “graceful” hometown, Lexington, Kentucky, and Maine, one of her favorite summer spots, which always “takes me by surprise.” Then there are profiles, of Balanchine, friends Susan Sontag (“all ideas”) and the “greatly gifted” Katherine Anne Porter, and Faye Dunaway. The section titled “Piety and Politics” shows Hardwick taking on current affairs, including incisive discussions of elections, scandals, the O.J. Simpson trial, the Kennedys, Jimmy Carter, and Bill Clinton (“shallow, reckless”). Particularly scathing is “On Behalf of the Unborn: A Celibacy Amendment,” a brief 1996 essay on Republican politics and abortion. As Andriesse writes, the writing in the section “Feminine Principle” shows that for Hardwick, “if liberation was a sign of social progress, it was also, frequently, a source of personal pain.” In 1971, she looked “at little girls with wonder and with anxiety. I do not know whether they will be free—the only certainty is that many will be adrift.” In “On Reading the Writings of Women,” Hardwick confesses to a “nearly unaccountable attraction and hostility to the work of other women writers,” and she goes on to berate and praise a few. An essay on Southern literature is a tour de force of breadth, economy, and insight. In the miscellaneous “Musings” section, the author’s examination of Leonardo da Vinci thoroughly captivates, while “Grits Soufflé” enchants.
This judicious gathering is a fine place to sample Hardwick’s work.Pub Date: May 17, 2022
ISBN: 978-1-68137-623-3
Page Count: 304
Publisher: New York Review Books
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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