Oil wells and passions explode in this entertaining murder tale.
A Colorado oil executive finds her business and her romantic life going up in flames in this thriller sequel.
Lean, long-haired Alex Sheridan, “a leader and maverick in the oil and gas business,” heads up Sheridan Enterprises, a Denver-based drilling company facing heated opposition at its Thompson Divide well site. Protesters are fighting to get a temporary restraining order to halt all drilling even though Alex has made sure her company complies with federal guidelines. Colt Forester, the well’s operator, sloughs off concern about the protests. “Working-man handsome” with “a Texas-sized smile,” he’s more interested—and successful—in grabbing Alex’s “perfect bottom” than in addressing her business problems. After making “ravenous love” in her office, they fight “like tomcats” and he storms out. Colt goes AWOL from his job at the oil well just as a raging fire breaks out at the site. Angus “Bull” Hawthorn, head of Wild Well Operations, a company specializing in extinguishing fires, meets Alex at the burning well. Also at the site is Colt’s abandoned truck. Police at the scene find a charred body, believed to be Colt’s. The discovery of a bullet wound in the crisped corpse makes suspicion fall to Alex, the multimillion-dollar beneficiary of her lover’s life insurance policy. Less excess would make Jeffett’s tale more believable. For example, it’s one thing for Alex to have an expansive office, but it’s another to have that space connect to “an elaborate dressing room that housed every conceivable necessity, from makeup to athletic gear to guns.” Repetition is also a problem; a second passage extolls Alex’s dressing area as having “every item imaginable” before listing many of those things. Key words and phrases are also overused in descriptions, sculpted body being one of them: Alex’s T-shirt reveals a “sculpted body”; Colt’s “sculpted body” intoxicates Alex; and Bull stretches his “sculpted body.” Nitpicking aside, it’s refreshing to read about a woman who succeeds in the boardroom as much as she does in the bedroom in this engaging story with a strong protagonist. According to a friendly adversary, “Alex Sheridan knew more about putting an oil deal together than most. In the industry, her word was gold, a rare and admirable quality.”
Oil wells and passions explode in this entertaining murder tale.Pub Date: Oct. 19, 2020
ISBN: 978-1-94-803565-1
Page Count: 340
Publisher: Defiance Press & Publishing, LLC
Review Posted Online: May 27, 2021
Review Program: Kirkus Indie
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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