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TEN THOUSAND SORROWS

THE EXTRAORDINARY JOURNEY OF A KOREAN WAR ORPHAN

A fascinating, tragic tale, hampered by lackluster prose.

There is a Buddhist saying that each life is filled with 10,000 sorrows and 10,000 joys. In Kim’s first book, a grueling memoir of her childhood, one is blinded by the sorrows and left yearning for at least a hint of joy.

During the Korean War, Kim's mother committed the ultimate sin of bearing a honhyol (a mixed-race child), who in the eyes of Korean society is worthless. To pay for her crime, Kim’s mother was killed by her own father and brother as little Elizabeth watched from a bamboo basket where she had been hidden. Kim's own life was spared, but she was abandoned at an abysmal Christian orphanage where she had to wait, alone and terrified, to be adopted. Kim was eventually taken in by a childless fundamentalist Christian couple in the US who abused her both mentally and physically. To make matters worse, Kim (with her half-Korean, half-Western features) was rejected by the midwestern community that she was forced to become a part of. Her parents eventually orchestrated her marriage to a man so abusive and controlling that it is a wonder she ever escaped—but Kim finally took control of her life and set off with her newborn daughter to make a fresh start. This did not come easy. She suffered through physical and emotional pain, poverty, depression, and failed relationships. After a while this litany of despair may begin to weigh heavily on the reader. Kim has an undeniably awe-inspiring story of survival to tell, but she tells it in such a reductionist manner that the reader is overwhelmed by events without having time to reflect on their deeper meaning. Kim liberally laces her text with her own poetry, as well as that of writers she admires, but even this does not allow her work to soar with the lyricism she is striving for.

A fascinating, tragic tale, hampered by lackluster prose.

Pub Date: May 16, 2000

ISBN: 0-385-49633-8

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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