HERE'S YOUR HAT WHAT'S YOUR HURRY

STORIES

If the title of McCracken's first collection leads you to expect romantic comedy or even a light touch, forget it; this James A. Michener-award-winning author's characters are outcasts, and their lives are grim indeed. In nine stories—all but the title one narrated in the first person—McCracken investigates the lives of the freaks. ``It's Bad Luck to Die'' records the thoughts of a tall, blond, relatively young widow as she comes fully to appreciate that her now-deceased dwarflike elderly husband Tiny, a tattoo artist, has covered every inch of her body in decals, slogans, and copies of Masterpieces of the Renaissance. In ``Some Have Entertained Angels, Unaware,'' a grown woman, a heavy drinker herself, remembers growing up in a house full of alcoholic men whom her father, a widower, collected like strays before he, too, disappeared into the nether reaches of the bottle, leaving the men to raise her. The 55-year-old male narrator of ``The Bar of Our Recent Unhappiness'' (``I am a man of many small mistakes. I am not competent'') quaffs beers with a young man whose mother is dying in the hospital room where the narrator's common-law wife vegetates after a car accident; in the end, the two men get drunk and speak incoherently of their grief. Other characters include a retarded midget, once a twin, who turns up at the door of an armless woman, an old acquaintance from their circus days; a 74-year-old convicted wife-killer, paroled now to a sleepy halfway house; a child prodigy who has grown into a disheveled woman riddled with self-doubt; and, in the title piece, an old woman who's made a career of visiting ``relatives'' she finds in phone books. Many of these stories taste of the writers' workshop—well-crafted but dispassionate and cheerless. An able apprentice Raymond Carver—interesting, but not to everyone's taste.

Pub Date: June 2, 1993

ISBN: 0-679-40026-5

Page Count: 224

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1993

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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