A vivid depiction of grief alongside a creative, if well-worn, picture of heaven.
An imaginative debut novel about a deceased teenager’s adventures in the afterlife, contrasted with her mother’s struggles back on Earth.
In an introduction, Moore (Nursing/Vanderbilt Univ.) says that she started keeping a diary after her daughter Cassandra’s suicide as a way of processing her feelings. Five years later, as she began turning her diary into a fictionalized memoir, she realized she was “just writing half of the story,” so she used “automatic writing” in an attempt to access her daughter’s narration. The resulting novel therefore offers a thinly veiled account of Moore’s own grief journey. In the novel, Callie Murray, 16, has been in a rebellious phase, drinking at parties and doing drugs with her boyfriend. One morning, her mother, Diane, finds her lying on her bedroom floor, eyes open and lips blue. Although Diane, a nurse, performs CPR, it’s too late; Callie had taken an overdose of antidepressant pills, and police find a suicide note. In an afterlife realm known as Summer Wind, Callie states, “I was in a vast, emerald-green meadow strewn with purple wildflowers.” She soon meets her great-grandmother Ellie, who explains that Callie can’t return to Earth, but she does give her a screen on which to watch her mother. Callie also meets Seraphiel, a guardian angel who will take her on a “journey of self-discovery” to understand her emotional pain so that she can be reincarnated. As depicted here, Summer Wind is described capably, but it does offer some clichés, such as Seraphiel’s “gleaming white fortress” and reunions with deceased pets. That said, both main characters undertake convincing and colorful journeys of learning and healing in first-person sections that cover about five years. In them, Callie tells of her new existence on the other side, and Diane continues her everyday earthly life while also looking for ways to continue interacting with Callie through dreams, mediums, and an Angel Awakening class; at one point, spiritual healer Joy, transmitting a message from Seraphiel, tells Diane: “Let Callie go to dwell inside you as a part of you, not separate from you.”
A vivid depiction of grief alongside a creative, if well-worn, picture of heaven.Pub Date: Jan. 15, 2017
ISBN: 978-1-61852-120-0
Page Count: 378
Publisher: Turning Stone Press
Review Posted Online: Jan. 22, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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