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FLOWERING JUDAS

More dispatches from life in London's tonier sets as British writer Palmer (Old Money, 1996, etc.) wittily details treachery between the sheets, in the boardroom, and at the country house, all nicely avenged by a woman of decidedly independent means. The milieu is that resilient English society where titles count, money is discreetly plentiful, and eccentrics are admired for—well, their eccentricity. Charmian Sinclair has arranged her life most agreeably: She has her own PR firm, a different lover for every night except weekends—which belong to Giles in the country. And she dearly loves her half-sister Alexandra. But betrayal is in the air: Brother-in-law Oliver is summarily fired by Spivey, the sleazy CEO of Circumference, a large corporation; and Giles disappears, beguiled by a widow who's moved into the neighborhood. Charmian, who shared the same father, the snob and inveterate rake Austin Sinclair, with Alexandra, decides to help Oliver and Alexandra, who, despite Oliver's generous severance package, worries that he'll never work again. As Charmian inveigles potentially damaging information about Spivey, she meets cool, handsome, recently widowered Toby Gill, CEO of Stellar. The two are attracted, but nothing happens until Charmian begins discarding her lovers, sometimes by choice, sometimes by chance: One drops dead, another bores her. Charmian and Toby will meet again and fall in love, but marriage isn't on until some corporate raiding has been done. Charmian digs up enough dirt to deny Spivey a coveted knighthood, but Circumference is in even bigger trouble—as Toby learns when he makes a takeover bid, promises Oliver a big job, and then finds Circumference's stock is worthless. But happiness is at hand as treachery is punished and trust rewarded. Like a Restoration playwright, Palmer deftly evokes a world where vengeance is sweet, true love unexpected, and the race to the swift. A marvelous modern romp.

Pub Date: Oct. 17, 1997

ISBN: 0-312-16843-8

Page Count: 280

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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