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RESCUE

An account of a troubled adolescent and the havoc he wreaks on his stepmother’s domestic life, by the author of Every Day (1997). Usually it’s the stepmothers who get the bad press, but since this story is being told by one, the perspective is bound to be different. Paige Austin is something of a bluestocking. A bookbinder with a Yale degree, she’s married to a lawyer and lives on the Upper West Side of Manhattan. Unable to have children of her own, Paige invests herself in any number of good works—taking tea with rich old ladies, visiting AIDS patients, and tutoring neighborhood children in the afternoons. Her husband Ian MacGowan has two children from a previous marriage, however, and one of them—his son Malachi—turns out to be a real handful. Expelled from his Brooklyn prep school for drug use, Malachi is sent to live with Ian by his disgusted mother, who washes her hands of him. Now Paige has to learn how to put up with a child in the house 24 hours a day. The initial surprise is how well she takes to it—and how well Malachi, starved for affection since his parents” divorce, takes to her. Soon Paige understands how much of a burden her childlessness had been to her. But soon enough, she sees the other side of the coin when Malachi begins to act out his rebellions against her, as well as against his father. After Paige and Ian discover him in bed with a girl, Malachi runs away and vows to live on his own—but returns stoned one night to take his revenge on Paige’s students in a prank that nearly leads to tragedy. Only then can he see the real depths of his anger, and his love. A soap opera, pure and simple, with characters about as deep as cardboard acting out a labyrinthine plot. If you listen closely, you can even hear organ music in the background.

Pub Date: March 2, 1999

ISBN: 0-671-02397-7

Page Count: 288

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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