Playwright/novelist Swados (The Myth Man, 1994, etc.) sends an Orthodox Jewish woman to teach English in a school for gay teenagers. Chana Landau appears ill-equipped to deal with the teen prostitutes and cross-dressers at Manhattan’s Harvey Milk High. Her sheltered family home doesn’t even contain a television,and she’s working to build up a dowry for her impending marriage to the also-devout Avi Wiseman. (Appalled but intrigued by the unbuttoned atmosphere at Harvey Milk, she keeps the details of her new job from her father and fiancÇ.) But Chana’s tougher than she seems: her ability to maintain ethnic and spiritual integrity when dealing with kids intent on humiliating her through sexual innuendo attracts the interest of 15-year-old Flamboy†nt, allegedly half-Jewish and definitely a good student when she can spare time from taking drugs and turning tricks on the West Side Highway. She and Chana form a relationship that has moments of genuine tenderness, though Swados unsentimentally delineates its roots in Flamboy†nt’s lies and Chana’s patronizing good intentions. The big revelation scene (think The Crying Game) is not exactly a stunning surprise, nor is Avi’s apple-cart—upsetting visit to Harvey Milk, which prompts the predictable plot developments of the novel’s second half. Swados is a capable writer, good at capturing the gaudy, wounded voices of Flamboy†nt and her friends. The depiction of conflict between Chana’s religious beliefs and her fondness for Harvey Milk’s errant teens, however, is much less convincing; the author doesn’t convey any great understanding of or sympathy for Orthodox Judaism, and an amusingly sexy portrait of virginal lust between Chana and Avi can’t make up for the lack of a real moral alternative to the desperate nihilism of Flamboy†nt’s world. Nonetheless, smart observations and sharp character sketches make this worthwhile for serious fiction readers willing to tolerate some fundamental flaws. Problematic, but always pungent and at times penetrating. (Author tour)
Pub Date: Sept. 10, 1998
ISBN: 0-312-19547-8
Page Count: 244
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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