A carefully researched, precisely written tour de force; unforgettable and wrenching.
Breaking away from Arthurian legends (The Winter Prince, 1993, etc.), Wein delivers a heartbreaking tale of friendship during World War II.
In a cell in Nazi-occupied France, a young woman writes. Like Scheherezade, to whom she is compared by the SS officer in charge of her case, she dribbles out information—“everything I can remember about the British War Effort”—in exchange for time and a reprieve from torture. But her story is more than a listing of wireless codes or aircraft types. Instead, she describes her friendship with Maddie, the pilot who flew them to France, as well as the real details of the British War Effort: the breaking down of class barriers, the opportunities, the fears and victories not only of war, but of daily life. She also describes, almost casually, her unbearable current situation and the SS officer who holds her life in his hands and his beleaguered female associate, who translates the narrative each day. Through the layers of story, characters (including the Nazis) spring to life. And as the epigraph makes clear, there is more to this tale than is immediately apparent. The twists will lead readers to finish the last page and turn back to the beginning to see how the pieces slot perfectly, unexpectedly into place.
A carefully researched, precisely written tour de force; unforgettable and wrenching. (Historical fiction. 14 & up)Pub Date: May 15, 2012
ISBN: 978-1-4231-5219-4
Page Count: 352
Publisher: Hyperion
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
PROFILES
PROFILES
A frank, engrossing examination of the ways society complicates young women’s burgeoning sexuality.
A 16-year-old girl grapples with being objectified by men.
Sydney Reilly had a standout school year with her friends in Seattle; the thought of leaving for a summer in San Francisco with her famous mother, Lila, instills dread. She has a deep sense that “it” is about to happen—she isn’t sure exactly what, but something large that will change everything. At her mother’s ocean-view home, she’s alone with Lila and her new boyfriend, Jake Antonetti, a real estate agent–turned–art dealer. By turns needy and unavailable, Lila can seem more like the child than the parent. Syd hides out from Jake and Lila’s fights, wandering nearby beaches, where she meets and is immediately drawn to Nicco Ricci. Her desire for him feels all-consuming, and their relationship immediately triggers Jake, who views her virginity as something he must protect. Between Jake, the leering construction worker next door, and creeps in the city, Syd faces a barrage of unwanted male attention. Lists of courtroom exhibits prefacing each chapter provide clues to the climax. Syd thoughtfully processes her burgeoning sexuality and the ugliness that it breeds in men, tracing its effects back to her mother’s own experiences. Though the affluent backdrop provides little diversity, Syd’s story outlines important, uncomfortable experiences many girls face without either flinching or offering a picture-perfect ending. All major characters are White.
A frank, engrossing examination of the ways society complicates young women’s burgeoning sexuality. (Fiction. 14-18)Pub Date: June 23, 2020
ISBN: 978-1-5344-2697-9
Page Count: 368
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A thriller that manages to be both creepy and fun.
For most of her life, Adele has been told that her visions are a result of schizophrenia. But what’s the truth?
When Adele sees her friend Tori in the woods as she’s cutting through the park on her way home, she’s confused. Why would Tori be out there in the November cold wearing a halter dress? Adele realizes that, after not taking the pills for her schizophrenia, the visions that used to haunt her before her diagnosis are back. Tori isn’t real. After noticing a mound of fresh dirt with a toe sticking out—and a few minutes of digging—Adele finds Tori’s body. Although Tori is dead, Adele can see her, just as she can see all the dead, just like her mother and grandmother before her could. But can she use her power to solve the mystery of Tori’s murder before the killer strikes again? Henry (Count All Her Bones, 2017, etc.) delivers a compelling thriller that weaves supernatural elements into a topical tapestry of loss, betrayal, and family drama. In an interesting twist, Adele, who can’t remember much from the last time she saw Tori, becomes a prime suspect and even doubts her own innocence. This book is set against a high school backdrop with mostly white characters (one African-American friend is introduced, relating Tori’s racist behavior).
A thriller that manages to be both creepy and fun. (Thriller. 14-18)Pub Date: Jan. 29, 2019
ISBN: 978-1-250-15757-7
Page Count: 240
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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