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THE PLAY

From the Briar U series , Vol. 3

A funny, frank, and refreshingly mature take on the familiar will-they-or-won’t-they romance template.

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A college hockey player finds his vow of celibacy tested when he meets the campus beauty.

This final installment of Kennedy’s (Bad Apple, 2018, etc.) Briar U trilogy focuses on a supporting character from the earlier volumes: hockey star Hunter Davenport. He’s so bitterly disappointed that Briar’s hockey team “didn’t make it to the national championship” that he’s decided to take a vow of sexual abstinence until the end of the season. It’s tough on him (“I take out all my sexual frustration on the ice,” he thinks, but readers won’t believe him). And his pledge doesn’t stop him from appreciating all the lovely women at campus parties. But in a psychology class, he meets smart, gorgeous Demi Davis. Demi immediately notices how handsome he is (“too attractive for his own good”), and soon she and Hunter are paired in a psychology experiment in which she plays the doctor and he the patient. In short order, strong sexual tension builds between the two. Hunter doggedly maintains his “monk” status even as the chemistry between them heats up. Demi admires his stunning looks and is amused by his quick wit (When setting up their next class meeting, he texts her: “Make sure you’re wearing tight spandex pants so I can objectify you”). But she has mixed feelings about Hunter (“He is either the best or the worst. I still haven’t decided”). Kennedy unfolds the story with smooth confidence and a great deal of sure-footed humor. The book’s whole supporting cast is well developed. And both Hunter and Demi are sparkling, enjoyable fictional creations, often unpredictable but also entirely believable, dealing with each other in the sexually frank manner that characterizes notable contemporary romance titles. Hunter’s resolve about his love life feels overdone in the novel’s final third, but the author’s prose is so energetic that only the pickiest readers will find it distractingly unrealistic— in fact, they may love the character all the more for it.

A funny, frank, and refreshingly mature take on the familiar will-they-or-won’t-they romance template.

Pub Date: Oct. 7, 2019

ISBN: 978-1-9995497-6-3

Page Count: 422

Publisher: Elle Kennedy Inc.

Review Posted Online: Oct. 22, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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