Melodramatic contrivances test the reader’s credulity, but appealing characters and a deft, non-linear structure generate...

KEEPING THE HOUSE

Baker’s sprawling debut recounts the woes of a wealthy Midwestern family from the turn of the 20th century to the dawn of the 1950s.

The imposing, vacant Mickelson house attracts the attention of 20-year-old housewife Dolly Magnuson when she arrives in Pine Rapids, Wis., in 1950. Her husband Byron, part owner of a Chrysler dealership, is content with their undistinguished bungalow, but Dolly, ambivalent about a life of dutifully following Good Housekeeping recipes and other dictates for happy homemaking, dreams of restoring and someday owning the Mickelson mansion. She pieces together its history while attending gossipy meetings of the local Ladies Aid and befriends one of the family’s youngest and most troubled members. The narrative circles back to follow a second story line beginning in 1896, when newlyweds John and Wilma Mickelson move into the house built by his father, Knute, a Norwegian immigrant who amassed a fortune in the lumber industry. Wilma, a talented pianist who sacrificed school for marriage, is instantly smitten with her brother-in-law Gust, and he with her. Although they repress their desires, her less-than-wifely feelings torment Wilma, especially after Gust dies in a logging accident. Years later, her grief is compounded when favorite son Chase joins the Marines with his older brother Jack and is killed in World War I. Built on land that may be cursed, the house seems to doom successive generations to lucklessness in love. Jack’s daughter Elissa falls for a Southern corporal who unwittingly holds a catastrophic family secret; her alcoholic brother JJ, who lost part of his leg in World War II, has an unsettling effect on his Uncle Harry’s fiancée—and on Dolly, when she meets him. But Dolly and JJ, as well as the other remaining Mickelsons, may yet find the means to forge their own destinies.

Melodramatic contrivances test the reader’s credulity, but appealing characters and a deft, non-linear structure generate interest and suspense.

Pub Date: July 17, 2007

ISBN: 1-4000-6635-2

Page Count: 544

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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