While the role of what Charlie calls “the left-wing Jewish intellectual mafia” during the Cold War remains fascinating (at...



A conspiracy-theory novel about spies, lies and personal loyalty set within the insulated world of left-liberal New York intellectuals during the Cold War era.

Feldman (Next To Love, 2011) begins her novel on the day Kennedy was shot in 1963, tying narrator Nell’s personal marital drama to national events. Something bad has happened to Nell’s husband, Charlie, but before revealing exactly what that something is, Nell relives their relationship: The two meet in 1948 as college students (Barnard and Columbia),  both attending on the GI Bill. From the beginning, Nell, who joined the military to escape a difficult home life, is more the leftist firebrand than Charlie, whose Jewish awareness of the Holocaust has strengthened his patriotism. After Charlie lands a job at the (fictional) magazine Compass, an avant-garde, anti-Stalinist, left-leaning intellectual journal not unlike Commentary or the Partisan Review, he and Nell marry. Before long, he becomes editor in chief; Nell becomes a staff writer. They rent a big apartment on the Upper West Side, send their daughter to private school, attend literary soirées with the likes of Mary McCarthy and Robert Lowell. While Nell pushes Charlie to be less timid as an editor, they survive the McCarthy era and subsequent Communist witch hunts only mildly scathed. They support civil rights; Charlie is the first to publish King’s “Letter From a Birmingham Jail.” By Kennedy’s election, cracks have appeared within both their marriage and their intellectual circle. It's to Feldman’s credit that until Nell jumps to the aftermath of the 1963 tragedy, readers will suspect without being sure which of several characters, including Charlie, are not exactly who they seem. Perhaps the strongest section of the novel is Charlie’s journal, in which he struggles through moral dilemmas without Nell’s penchant for self-righteousness.

While the role of what Charlie calls “the left-wing Jewish intellectual mafia” during the Cold War remains fascinating (at least to liberal intellectuals), the schematic quality of Feldman’s plot and characters limits the reader’s engagement. 

Pub Date: May 6, 2014

ISBN: 978-0-8129-9344-8

Page Count: 304

Publisher: Spiegel & Grau

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.


In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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