by Ellen Jackson ; illustrated by Renné Benoit ‧ RELEASE DATE: Sept. 9, 2014
The layout and concept deserve better material.
The use of tools by nonhuman animals is explored via 11 animals, each with its own watercolor portrait, rhymed couplet and explanatory gloss.
Unfortunately, in the attempt to rhyme, most of the couplets fail to be clear or memorable. Even the prose is not always clear, as in “Elephants strip leaves from branches. They use the stripped branches to swat flies or other insects that bite them.” (Are the “other insects” attacking the flies or the elephants?) The author’s note is equally difficult to read, perhaps attempting, but failing, to adapt to beginning readers. Probably the best verse—and also the most whimsical art—is this: “Here’s a deer who’s quite well dressed, / wearing grass to look his best.” The single sentence that follows adds, anthropomorphically, “Male red deer smear their antlers with mud or grass to appear bigger and fiercer to other males and more attractive to females.” The sturdy stag is staring into the distance, its antlers interlaced with ferns and grasses. Depictions of flora and fauna show excellent composition and promising, if overworked, artistry, but at the book’s beginning and end, awkward paintings of children sadly match dismally unimaginative verses: “Tools help us everywhere, / on the earth and in the air.” Alas: Where are the limericks of yore, with the pelican whose “bill can hold more than his belican”?
The layout and concept deserve better material. (author’s note, list of animals’ habitat ranges, resources for children, bibliography) (Informational picture book. 4-8)Pub Date: Sept. 9, 2014
ISBN: 978-1-58089-564-4
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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