Immensely appealing, intelligent, and great fun.
Sequel to 1987’s Swordspoint: A Melodrama of Manners, a tale set in an imaginary city that Kushner herself described as “not-quite-equal parts of Elizabethan London, 18th-century Paris, a dash of Regency of both, and even a little New York . . . . ” Here, it’s 60 years later, in a Renaissance Europe that’s not quite the historical Europe. Much earlier, the rocky North and fertile South were joined into one country with a King and Queen. Ivy grew out of the hands of some of the Northern King’s 15 wizards when he rode south for the wedding, leading his monstrously uncouth army. Very fanciful stuff, thinks University historian Basil St. Cloud three hundred years later, now that all the kings are long dead and the land kingless. St. Cloud admires kings but the Serpent Chancellor, Lord Arlen, appoints Lord Nicholas Galling to spy on University Northerners who favor installing a new king, drawn from royal blood, over the Council of Lords. The Council has also outlawed all talk of wizards and magic—since magic. . . doesn’t exist? If anyone could find the lost Book of the King’s Wizards, the spells in it might prove upsetting to the Council. When Basil is bedded by his new student Theron Campion, grandson of the scandalous Mad Duke Tremontaine, he finds tattooed ivy leaves entwining Theron’s body, a sign that he’s the son of ancient kings. Not that Theron doesn’t love the bossy painter Ysaud, who has painted a canvas of him modeling both throat-slit Hilary the Stag and his naked murderer—scandalous Hilary slept with deer in his bedroom instead of his wife. Then Basil buys an old trunk holding old manuscripts, including guess what, and Theron, a student of rhetoric, helps read it. Will wizardry return? Theron be king? Are the Serpent Chancellor and Galling closet sweeties?Immensely appealing, intelligent, and great fun.
Pub Date: Nov. 5, 2002
Page Count: 496
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Pub Date: June 16, 2020
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Blake Crouch ‧ RELEASE DATE: July 26, 2016
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
Pub Date: July 26, 2016
Page Count: 352
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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