A collection of anecdotes that, like many of the federal employees portrayed therein, work just enough to get by.

SNAFU

A HYSTERICAL MEMOIR ABOUT WHY THE GOVERNMENT DOESN'T WORK

A wry insider’s view of the stagnant conditions plaguing governmental offices.

The image of government workers as lazy, ineffective and corrupt is a common one in popular culture. Roberge, now retired after nearly three decades as a civil servant, makes it clear that the majority of her colleagues did not correspond to this stereotype. Nevertheless, for the sake of entertaining material, she focuses on those individuals who hardly worked instead of working hard. Most of the (in)action takes place in Florida, which the author convincingly presents as a kind of hell on earth, complete with palmetto bugs, fire ants, alligators, heat and humidity. Roberge writes in a breezy conversational style, often laced with a raunchy tone. Addressing sexism in the workplace, she notes: “Most of the women I knew would shatter the glass ceiling legitimately, but let’s just say the ones I vividly remember, sadly, the stupid ones, all have glass in their knees.” Office nicknames inspired by the film Dances with Wolves are humorous; the author’s own, based on her conscientious yet futile attempts to navigate through layers of bureaucratic inefficiency, is “Screeches Like Owl.” One of her complaints about supervisors—“They don’t want to read what is written, but when they did, they’d pick something of little importance to question, like punctuation, or grammar.”—is rather telling, since occasional editing lapses in the text can be distracting. Overall, the book seems more suited to readers who prefer a series of vignettes with wacky titles instead of a sustained narrative thread. However, Roberge strikes a chord in the very last paragraph, where she connects a touching moment with her mother to the nature of the co-workers represented throughout the book. During one of their final conversations before her mother’s death, as they watch foolish people feeding the alligators, her mother remarks: “No, they shouldn’t feed them, but it’s not the alligators [sic] fault; they don’t know they’re monsters.”

A collection of anecdotes that, like many of the federal employees portrayed therein, work just enough to get by.

Pub Date: June 21, 2012

ISBN: 978-0615610290

Page Count: 120

Publisher: BureauRat Publishing

Review Posted Online: Sept. 6, 2012

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.

BROTHERS IN ARMS

BLUFORD HIGH SERIES #9

In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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