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MY SQUIRREL DAYS

A little Lucille Ball, a little bit Tracy Flick, Kemper proves that good comedy starts with good writing. It's no...

The debut book from the Emmy-nominated actress.

It’s clear within the first chapter of actress Kemper’s memoir that the Unbreakable Kimmy Schmidt star is still playing a character. Her role in the text is that of clever, albeit controlling, comedy writer disguised as the girl next door. Strategically revealing only what she wants the reader to see, the Princeton graduate’s English degree—and her experience as a writer for the Onion—is on full display. The author begins by portraying herself as a precocious child, with a rambling chapter about her obsession with her second-grade student teacher, a Russian woman named Ms. Romanoff. “I hung on every word that came out of her mouth; her voice sounded how my Eggo syrup tasted,” she writes. From there, Kemper picks and chooses choice anecdotes to describe her life, from feckless Ivy League field hockey player to improv workaholic to unsuccessful Saturday Night Live auditioner to cast member on the American version of The Office. What she doesn’t include is the typical celebrity tell-all. For the author, the hero’s struggle is more Anne Shirley than Lisbeth Salander. Imagining what she will tell her children about her obsession with SoulCycle, she writes, “son, there was a time in my life…when I agreed to pay money to take a bicycle-riding class in a studio lit by candles and filled with songs of Coldplay, Pitbull, and E.S. Posthumus.” Everything here is played for laughs, and some setups work better than others. When Kemper sticks the landing, the results are uproarious, as in her encounter with Office creator and star Ricky Gervais, who somehow misunderstood Kemper as saying she played him on the American version of the show.

A little Lucille Ball, a little bit Tracy Flick, Kemper proves that good comedy starts with good writing. It's no Bossypants, but it’s an entertaining celebrity memoir.

Pub Date: Oct. 9, 2018

ISBN: 978-1-5011-6334-0

Page Count: 256

Publisher: Scribner

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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