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THE FAR CANYON

In this sequel to the award-winning Slaughter (1992), Kelton again proves himself to be a resonant voice of the American West. In 1874 Jeff Layne, a Confederate veteran and reformed hide hunter sick of killing both men and buffalo, is on his way back to Texas to revive the family ranch, which fell into carpetbagger hands. With him are good-hearted—and big- bellied—Cap Dolittle, sophisticated Englishman Nigel Smithwick, and independent Ohio woman Arletta (now Mrs. Nigel Smithwick). When they reach Jeff's hometown, however, they discover that what's left of the Layne property is now owned by Jeff's longtime nemesis, Vesper Freed. Vesper also stole Jeff's girl, Eva, while Jeff was away. Rather than fight Vesper for an admittedly worthless piece of land, Jeff decides to build up a herd of cattle and then set out for a canyon he knows in Northern Texas to start a ranch. During the winter, however, Jeff becomes entangled in a vendetta involving Vesper, Mexican bandits, and his own hired hands. When Jeff's party moves out in the spring, they are accompanied by Eva (who plans to go as far as San Antonio) and the newest Smithwick, baby Becky. They eventually reach Jeff's distant canyon, although not without losses, and begin to build a new life. Interwoven with the story of Jeff and his friends is that of Crow Feather, a Comanche warrior. Rather than submit to the indignity of reservation life, Crow Feather and his family go to live in the relative safety of a sheltered canyon. They manage well until Crow Feather is captured and taken to the reservation. He attempts to escape repeatedly and suffers terribly at the hands of the soldiers before he finally is reunited with his family, who are living peacefully with the newly arrived ranchers. Finely crafted western fare. Wonderfully satisfying.

Pub Date: Aug. 1, 1994

ISBN: 0-385-24895-4

Page Count: 336

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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