In this sequel to the award-winning Slaughter (1992), Kelton again proves himself to be a resonant voice of the American West. In 1874 Jeff Layne, a Confederate veteran and reformed hide hunter sick of killing both men and buffalo, is on his way back to Texas to revive the family ranch, which fell into carpetbagger hands. With him are good-hearted—and big- bellied—Cap Dolittle, sophisticated Englishman Nigel Smithwick, and independent Ohio woman Arletta (now Mrs. Nigel Smithwick). When they reach Jeff's hometown, however, they discover that what's left of the Layne property is now owned by Jeff's longtime nemesis, Vesper Freed. Vesper also stole Jeff's girl, Eva, while Jeff was away. Rather than fight Vesper for an admittedly worthless piece of land, Jeff decides to build up a herd of cattle and then set out for a canyon he knows in Northern Texas to start a ranch. During the winter, however, Jeff becomes entangled in a vendetta involving Vesper, Mexican bandits, and his own hired hands. When Jeff's party moves out in the spring, they are accompanied by Eva (who plans to go as far as San Antonio) and the newest Smithwick, baby Becky. They eventually reach Jeff's distant canyon, although not without losses, and begin to build a new life. Interwoven with the story of Jeff and his friends is that of Crow Feather, a Comanche warrior. Rather than submit to the indignity of reservation life, Crow Feather and his family go to live in the relative safety of a sheltered canyon. They manage well until Crow Feather is captured and taken to the reservation. He attempts to escape repeatedly and suffers terribly at the hands of the soldiers before he finally is reunited with his family, who are living peacefully with the newly arrived ranchers. Finely crafted western fare. Wonderfully satisfying.
Pub Date: Aug. 1, 1994
ISBN: 0-385-24895-4
Page Count: 336
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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