One still experiences a sense of dÇjÖ vu reading a historical by Kelton (The Far Canyon, 1994, etc.). We have met these characters and they are us: sometimes weak and foolish, sometimes heroic, always complex and, for the most part, fundamentally decent. Young Trey McLean is a pumpkin roller (farmer) with ambitions of being a cattleman. Leaving his father's East Texas farm with a dun horse and four old cows he rides toward the unclaimed lands ``out west.'' When his cows are stolen by a greedy farmer with the connivance of a dishonest sheriff, it is not his anger at this injustice but his helplessness to alter the situation that wins us over. He is not an archetypal macho hero with blazing six-guns but an ordinary man who confronts unfairness with gritted teeth. We share Trey's confused response to Jarrett Longacre, a top hand and a fugitive from the law, whose thoughtless outlaw ways embroil Trey with Marshal Gault, a lawman with an obsessive, unforgiving nature. Jarrett is a likable, troublesome presence in each stage of Trey's life and labors: the wagon yard in Fort Worth; on Ivan Kerbow's cattle drive, the event signalling Trey's rite of passage from farmer to cowboy; on Kerbow's ranch in far West Texas. When Trey marries Sarah Stark and agrees to manage Kerbow's ranch, Kelton adds a feminine dimension to the narrative. Just as Jarrett stands in contrast to Trey, Katy Rice, a former prostitute who becomes involved with Jarrett, is Sarah's opposite. Sarah's fear of loneliness has her hearing voices in the wind, while Katy relishes solitude. The final confrontation between Jarrett and Gault forces each of these four characters to resolve their inner conflicts and accept the consequences. A superb coming-of-age novel by a master western storyteller whose deft touch with characterization is underappreciated.
Pub Date: March 1, 1996
ISBN: 0-312-86076-5
Page Count: 320
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1996
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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