by Elmore Leonard ‧ RELEASE DATE: Feb. 15, 1998
Leonard goes back to his mots, and modern America's, in this rollicking Cuban western/suspenser, to be published on the 100th anniverary of the U.S.S. Maine's explosion. All Ben Tyler is looking for is to make a few fast dollars. Cowpunching in Arizona hasn't worked, or robbing banks either, so he agrees to join his friend Charlie Burke in exporting a string of horses to Cuba, though he just can't see how they stand to make any money on the deal. Unfortunately, Ben and Charlie have picked a historically bad moment for their tropical excursion: They make port just in time to remember the Maine indeed, and suddenly there are more complications than just paying prohibitive import duties, bribing officials and gobetweens, and holding their buyer—impassive, treacherous, polo-playing sugar baron Roland Boudreanx—to the price he's promised them. The US is determined to free Cuba from Spanish rule, but not so completely that the island will be independent—only enough so that American capitalists can step into the breach. In other words, the three-cornered conflict—which Ben & Co. waste no time adding more corners to—is nothing more than a classic Leonard seam writ large, the perfect background for the easygoing hero's lesser chicanery. Before Ben can begin to finger the goodies, though, a little disagreement between him and a Spanish hussar with easily inflamed honor lands him in prison along with a Marine casualty of the Maine who's been spirited out of the hospital, it seems, for the express purpose of rotting in jail. All would be lost if it weren't for Rollie Boudreaux's wide-awake courtesan Amelia Brown, who's got the world's best motive for breaking Ben out of stir. Carbines blazing, horses snorting, battles raging, the heroes drive the villains to a stalemate—and then prepare to battle each other. Top entertainment from the pro's pro (Out of Sight, 1996, etc.): a million greedy schemes with time-outs for war and sex.
Pub Date: Feb. 15, 1998
ISBN: 0-385-32383-2
Page Count: 352
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1997
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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