Laid-back lowlifes struggle for power, survival, and their 15 minutes of fame in a plot as busy and chaotic as the original...
Leonard’s 37th backs smooth and easy into Tunica, Mississippi, site of the shaggiest crime tale he’s spun since Maximum Bob (1991).
Normally, the critical moment in Dennis Lenahan’s high dives is the instant his body hits the water. But the final day he’s been setting up his rig at Billy Darwin’s Tishomingo Lodge & Casino, that moment comes as he hears the two guys he’s been watching below execute Floyd Showers, the ex-con who’d been helping him rig the ladders and the perch above. The killers—extortionist Arlen Novis and Junior Owens, who runs Arlen’s honky-tonk—look up 80 feet and see him as clearly as he sees them, and although Charlie Hoke, the alleged half-Chickasaw ex-ballplayer who serves as the casino’s celebrity host, assures them of Dennis’s discretion, there’s no doubt that his position in Tunica has been compromised before he’s even made his first dive. Dennis needs a friend—somebody like Robert Taylor, the soft-spoken black man whose illustrated patter about how his grandfather was lynched by the great-grandfather of moneyed mobile home salesman Walter Kirkbride is so well-oiled that it’s obviously a front for some con Dennis can’t identify. What he doesn’t need is the attention he catches from dangerous women like newscaster Diane Corrigan-Cochrane, who asks him if it’s true that he witnessed Floyd’s murder, and Loretta Novis, Arlen’s willing wife. And he certainly doesn’t need any part of the Civil War reenactment of the battle of Brice’s Cross Roads that will sweep him up together with state investigator John Rau and the Dixie Mafiosi he’s trying to put away, as Leonard (Pagan Babies, 2000, etc.) revels in layers upon layers of playacting and posturing.
Laid-back lowlifes struggle for power, survival, and their 15 minutes of fame in a plot as busy and chaotic as the original battle of Brice’s Cross Roads.Pub Date: Feb. 1, 2002
ISBN: 0-06-000872-5
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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