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THE NEW YORK REGIONAL MORMON SINGLES HALLOWEEN DANCE

A MEMOIR

A sexy, lubricious outing by a formerly zaftig comic.

Debut memoir from a 20-something Mormon stand-up comedian.

Baker was once just a funny fat girl weighing in at nearly 250 pounds. Then she rapidly shed the pounds (“In five and a half months I lost eighty pounds, which is the equivalent of pooping out a fourth grader”) and emerged as a slim beauty, still funny and ready for romance—up to a point. The author writes that she was ready for some kind of amorous encounter, but as a practicing LDS believer, sex before marriage is prohibited—as is drinking. “Mormons are known for saying no,” she writes. “No sex, no drugs, no alcohol and no caffeine. NO.” So she relates, in unrelenting cuteness, her romantic adventures—not having sex with lots of dreamy guys, but kissing and telling all. For New York Mormon singles events, Baker concocted some truly unfortunate costumes, including a fortune cookie that got crushed and looked like a certain part of the female anatomy. She discusses her situation with The Almighty (a largely one-way discussion) and her struggles to suppress her sexuality while defending her spirituality: “I thought, he only wants to see me naked because I lost weight and I look more attractive now. And this only happened because I prayed and asked God for a miracle. Misusing my new body would be like taking a gift from God and defiling itIs it right to suppress my sexuality? Or do religious choices just make me happy because I was trained to feel this way?” For the most part, Baker spins a witty girly-girl story, a romantic caper for ladies about trying to find a job, a boyfriend and, ultimately, herself.

A sexy, lubricious outing by a formerly zaftig comic.

Pub Date: Oct. 15, 2009

ISBN: 978-0-525-95135-3

Page Count: 288

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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