A couple puts their marriage on hold for six months to find out if they’re better together or apart.
From the outside, Jonathan and Cass Coyne seem like the perfect couple. He makes tons of money working at a hedge fund, and she works in theater marketing. Two beautiful, successful people about to start their own family…what could be wrong? But when Cass’ boss dies and she leaves her job, she begins to have trouble sleeping. As she tosses and turns each night, she starts to suspect that her marriage isn’t as perfect as she’s always pretended it is. Cass spent her childhood in poverty with neglectful parents, and she resents Jonathan and his snobby family for their wealth. And although Jonathan is still deeply infatuated with Cass, her behavior has started to grate on his nerves—for example, the way she feels guilty about hiring a housekeeper. Minor annoyances aside, Jonathan is shocked when Cass suggests a six month separation—or, in theater lingo, an intermission. For those six months, Jonathan will stay in New York and Cass will be in Los Angeles. They’ll live their lives as if they’re single, free to date other people, and when the six months are up, they’ll decide if they want to stay married. While they’re apart, crises occur (Cass’ mother gets sick, Jonathan’s company has a scandal) that make each of them realize why they need the other. Eventually, Cass and Jonathan must decide what’s more important—a “perfect” marriage in which no one is honest or being truly open and vulnerable in front of the person you love. The resolution feels a bit rushed, and Cass' and Jonathan’s decisions are sometimes so frustrating that it’s hard to understand why they’re together. Still, Friedland (Love and Miss Communication, 2015) paints a picture of a complex marriage between two flawed human beings.
A multifaceted look at the difficulties and rewards of marriage.Pub Date: July 3, 2018
ISBN: 978-0-399-58686-6
Page Count: 368
Publisher: Berkley
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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