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CUBA

Altogether, a gripping piece of travelogue fiction spiked with an unnerving amount of psychological tension. Just right for...

A nice married couple from Brighton take a year’s sabbatical to Cuba only to have their not-quite-as-nice neighbor from home turn up there as well.

With this third outing, Barr (Baggage, 2002, etc.) further claims the very little niche that she’s carved out for herself. Her novels take a couple of young British girls with an itch to travel and throws them into situations that (1) they’re hideously unprepared for and (2) bring the unspoken tensions in their friendships into sharp and explosive relief—Alex Garland for girls. The tale this time modifies the template slightly by adding another couple into the equation: young professionals David and Libby. Libby has given up her high-stress but remunerative law position to raise their infant son Charlie, leaving her in the housewife’s trap: glad to be around her child but also uncontrollably bored and bitter. Meantime, David has the travel bug and convinces Libby to come with him on a yearlong trip to Havana. The story’s ticking time bomb is their neighbor Maggie, a pale wraith of sadness with a baby fixation so advanced she buys a set of baby monitors just so she can listen in on conversations in David and Libby’s apartment. Maggie (a stripper who tells everyone that she works for American Express) befriends David and Libby just before they leave for Cuba, imagining herself Libby’s best friend and David’s new lover—and then decides to tag along. Once in Havana, Maggie’s plan is spoiled somewhat by the arrival of her leggy, gorgeous friend Yasmin, who has a good grasp of Maggie’s fragile mental state and what she’s capable of. Barr could have quite easily turned all of this into a simple stalker scenario, but fortunately she resists the impulse (most of the time: the baby-in-distress climax might be a little too yuppies-in-peril for many tastes).

Altogether, a gripping piece of travelogue fiction spiked with an unnerving amount of psychological tension. Just right for the backpacker set.

Pub Date: April 1, 2004

ISBN: 0-452-28503-8

Page Count: 336

Publisher: Plume

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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