Reads, overall, like a rehash—however amusing—of Borrowed. Giffin’s next had better be Something New.
Airhead antagonist gets her own novel in Giffin’s follow-up to Something Borrowed (2004).
Previously, Rachel took center stage, but the point of view shifts here to Darcy, who catches her fiancé, Dexter, hiding in the closet of Rachel’s Manhattan studio. Dex has just dumped Darcy mere days before their wedding, and Darcy expected sympathy, not betrayal, from maid-of-honor Rachel (see Carrington, above). Darcy and Rachel have been symbiotic friends since grade school, even moving together from Indiana to New York, Rachel to attend NYU Law and then work for a blue chip firm, Darcy to work in P.R. In the gal-pals’ lifelong competition, Darcy, the prettier and less ethical, has always trounced the allegedly smarter Rachel. (Rachel even turned 30 first.) Darcy had strayed from her own engagement, going off with Dex’s groomsman Marcus, by whom, she learns, she’s pregnant. Darcy and Marcus attempt a relationship—with disastrous results. Her superficial P.R. colleague Claire deserts her as glitz-spoiling single motherhood looms, and Darcy ends up in London, bunking with another grade-school chum, Ethan, now a novelist and architectural writer. Rachel’s previous visit with Ethan is grist for more Borrowed backstory: Ethan confesses to Darcy that Rachel and Dex were an item long before the closet confrontation. Ethan, impatient with Darcy’s vanity and indifference to prenatal care, scolds her, whereupon she sets out to reform her shallow goals. But things still come too easily to her, and consequently she experiences little meaningful struggle or other interesting conflict. Almost immediately upon arrival in London, she meets all new girlfriends and attracts a caring, rich and handsome doctor. Ethan warms to her when she reveals she’s carrying twins, and the two rapidly—too rapidly—learn the real meaning of love and friendship. Unfortunately, Darcy doesn’t succeed either in shedding her stereotype as shopaholic sybarite or in sustaining a novel of her own.
Reads, overall, like a rehash—however amusing—of Borrowed. Giffin’s next had better be Something New.Pub Date: June 14, 2005
ISBN: 0-312-32385-9
Page Count: 384
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2005
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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