Read this not for the whodunit but for a gripping character study of an accused girl making sense of her reality.
A 15-year-old murder case gets new life after the convicted killer, Kennedy Wynn, is released from prison.
Just a teenager when convicted, the now 30-something Kennedy is learning how to be a free woman. While she was in jail, her mother died of cancer, her twin sister, Carter, battled addiction and got sober, and her father—who, as a lawyer, was convinced the charges against Kennedy would be dropped—lived alone with his guilt. And though Kennedy is free to start over, she quickly realizes that the baggage she carries from Haley Kimberson’s death is not easily discarded. Even Carter, the person Kennedy needs most, isn’t convinced her twin is innocent. But Kennedy can’t defend herself because she has no memory of the murder night, only of finding Haley’s body: “Haley was my friend and now she was falling apart.” Kennedy’s release garners the attention of Dee Nash, a former detective–turned-host of the TV show Crime After Crime, who's interested in poking holes in this long-standing narrative to potentially prove Kennedy’s innocence. For one, could a young girl have the strength to inflict those wounds? Kennedy, who tells much of her story via creative writing exercises done in prison, says it best: “There is always a living boy to go with a dead girl.” But which boy? Berk Butler, who was with Kennedy and Haley that fateful night, but who had “more money, more lawyers” than the Wynns during the trial? Or someone else? As multiple characters search for the truth, the most compelling point of view is Kennedy’s retrospective account from prison. Kennedy’s voice comes across as detached, the omniscient perspective of someone who’s had a lot of time to think over the details. In order to understand what led to Haley’s death, Kennedy considers all the little threats that lived under the surface of her family's and friends’ daily lives that could have grown into something more sinister. This detached voice bleeds into the rest of the narrative, making the slow build toward truth feel impersonal. Haley’s memory haunts those who miss her most, but this metaphor takes on a more literal, paranormal form toward the end. The most effective revelation is more subtle—that everyone is more than who they are on the surface, and nothing is ever exactly as it seems.
Read this not for the whodunit but for a gripping character study of an accused girl making sense of her reality.Pub Date: Nov. 10, 2020
ISBN: 978-0-593-08699-5
Page Count: 384
Publisher: Putnam
Review Posted Online: Sept. 16, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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