An enjoyable debut that will appeal to fans of this iconic era.
A young musician rises and falls and rises again in the 1970s music industry.
Inspired by the folk rock scene of the late 1960s and '70s, Brodie’s debut novel follows Jane Quinn, an ethereal and talented musician, as she navigates love, loss, and stardom. A seventh-generation native of Bayleen Island, off the coast of Massachusetts, Jane has always led a life imbued with music; her mother was a minorly successful songwriter before her disappearance a decade ago, and Jane is the lead vocalist and guitarist in the Breakers, a local band. The novel opens in 1969 at the annual Island Folk Fest, where Jesse Reid—music’s unassuming, blue-eyed, and handsome megastar—is set to headline. After an accident leaves Jesse unable to perform, Jane and the Breakers are unexpectedly thrust into the spotlight of the main stage—and their lives change forever. As Jesse recovers on the island, he and Jane are drawn to each other through their mutual passion for music and shared sense of loss. After recording their new album and making a few high-profile enemies, the Breakers hit the road as the opening act for Jesse’s 1970 tour. Jane insists on keeping her relationship with Jesse a secret because she wants to be known for her music above all else: “She feared that, if the world knew her as Jesse’s love interest before she’d ever opened her mouth on a national stage, that was all she’d ever be.” When Jane makes a shocking discovery on tour, her life is blown up, and she returns to the island. As she comes to terms with long-kept secrets, she throws herself into her music and writes her magnum opus, Songs in Ursa Major. Throughout the novel, Brodie thoughtfully probes the different ways men and women were treated in the music industry: the men coddled and protected in the face of their faults while the women (especially rule breakers like Jane) were taken advantage of, undercut, and vilified. If the plot feels formulaic at times, Brodie’s writing—about music, family, and grief—elevates the novel.
An enjoyable debut that will appeal to fans of this iconic era.Pub Date: June 22, 2021
ISBN: 978-0-593-31862-1
Page Count: 336
Publisher: Knopf
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A master novelist in full command of his powers as a storyteller, prose stylist, and social observer.
Whitehead’s justly celebrated Harlem Trilogy comes to a triumphant, satisfying conclusion.
The two-time Pulitzer Prize winner has brought his decades-long saga of furniture retailer and part-time criminal fence Ray Carney into the 1980s, a time of starkly mixed blessings for a New York City galvanized by reckless real estate development, plagued with widespread homelessness, and immersed in crime and corruption of gaudy proportions. As with its two predecessors, Harlem Shuffle (2021) and Crook Manifesto (2023), this installment carves its historic period into three self-contained but interwoven stories set in three different years. The first takes place in 1981, when Ray, flush with pride over being named Sterling Furniture’s “Northeast Regional Dealer of the Month,” is confounded when wife Elizabeth is denied a loan for her travel business. So, to get her the money she needs, he joins a crew led by the redoubtable Uncle Rich, a legendary thief, embarking on a near-impossible heist at the Waldorf Astoria. Elizabeth also spearheads the second installment, which takes place two years later, when she recruits the dyspeptic Pepper, Ray’s friend and sometime coconspirator, as bodyguard for a jittery art dealer carrying a valuable African mask. When that object goes missing, Pepper and a hip young woman bearing a mohawk haircut and combat boots wander the seedier streets of Manhattan to locate it, crossing paths with a “Melancholy Hitman” also frantically pursuing the mask and leaving mutilated corpses in his wake. In the final section, taking place in 1986, Ray struggles to fulfill a posthumous obligation to his ill-fated cousin, Freddie, by using all his hard-earned wiles as salesman and felon to save Freddie’s son, Robert, from being framed (or worse) in the murder of a bent Queens lawyer. It’s as improbable as packing three page-turning thrillers into one book that’s sustained throughout by rich, engaging characterizations and lucid, provocative reflections on a community, a city, and a people it presents as both exasperating and captivating with equal intensity.
A master novelist in full command of his powers as a storyteller, prose stylist, and social observer.Pub Date: July 21, 2026
ISBN: 9780385550505
Page Count: 368
Publisher: Doubleday
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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