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PASSIONS BETWEEN WOMEN

BRITISH LESBIAN CULTURE 1668-1801

An impressive piece of scholarship that seeks to bring passion into the lesbian history of late 17th and 18th century England. Closely reading the literature of the period, novelist Donoghue (Stir-Fry, 1994) gives her reader meticulously detailed evidence that during the years 16681801 lesbianism was popularly represented. Contrary to historians who have a tendency to dilute and dismiss bonds between women as sisterly affection, Donoghue asserts that women who loved women during the 18th century did not only have friendship on their minds. While the word lesbian could be used in the context of friendship, the term ``tribade'' (from Greek, meaning ``a woman who rubs'') was most commonly used to describe any woman capable of enjoying sex with another. With chapters on female hermaphrodites, female husbands, cross-dressing, romantic friendship, and erotica, Donoghue explores a range of female relationships from the platonic to the sexual. She does not shy away from the controversial when she examines the erotica of the time (almost exclusively written by men) and gains affirmation from the lesbian eroticism found in a literature other feminists might deem offensive. A lesbian herself, Donoghue's investment in her own text makes it all the more engaging. She deserves credit for making a distinction between lesbian and bisexual history and explicitly states that her book is a ``shared'' one. She also does well to emphasize that gay male history and lesbian history should be studied separately. While her prose is crisp and sometimes refreshingly ironic, Donoghue falls into the academic trap of overloading her reader with exhaustive textual examples. At times slow going, but nonetheless offering historical affirmation of an erotic and romantic lesbian presence during this period.

Pub Date: May 10, 1995

ISBN: 0-06-017261-4

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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21 LESSONS FOR THE 21ST CENTURY

Harari delivers yet another tour de force.

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A highly instructive exploration of “current affairs and…the immediate future of human societies.”

Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.

Harari delivers yet another tour de force.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-51217-2

Page Count: 400

Publisher: Spiegel & Grau

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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