Irresistible, and deeply satisfying. Donoghue has surpassed herself.

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SLAMMERKIN

This boldly imagined historical fiction—reminiscent, though by no means imitative, of both Defoe’s classic Moll Flanders and Margaret Atwood’s recent Alias Grace—represents a quantum leap forward for its Irish-born (now Canadian) author.

The antiheroine and protagonist is Mary Saunders, a young woman whose ingenuous lust for “fine clothing” (e.g., the “slammerkin,” which denotes both a loose gown and a “loose woman”) leads her into prostitution and murder. Donoghue (Stir-Fry, 1994; Hood, 1996) has triumphantly reimagined the life of a real historical figure of whom nothing is known beyond those few facts—beginning with Mary’s lonely London girlhood, and expulsion from her stepfather’s home when she becomes pregnant at 14; continuing throughout her thriving career as an “independent” whore, and retirement, as a charity-case “Penitent”; then climaxing at the country home of clothiers Thomas and Jane Jones, who employ and befriend Mary until her past rears its head and sets the servant against her masters in a violent and bloody resolution of their “differences.” It’s a harrowing, abundantly detailed chronicle of woman’s fate, sharply attentive to both class conflict and individual psychology, enlivened by such superbly realized figures as the willful child-woman Mary, her rough-hewn fellow prostitute and mentor Doll Higgins, and especially her eventual victim Jane Jones: a remarkable amalgam of silliness, benevolence, selflessness, and utter vulnerability. The story’s range of emotion and implication is further broadened by a masterly narrative choice: Mary’s doomed stay with the Joneses is shown through the eyes of all the characters who are affected, in fact afflicted, by her ingrained amorality and determination to have what she desires whatever the cost. Only in overstressing the weary half-truth that respectable married women and fallen women alike “sell” themselves to men does Donoghue stumble—and that’s a scarcely detectable blemish on a rich, vibrant canvas that brings the age of Hogarth and Richardson stunningly to life.

Irresistible, and deeply satisfying. Donoghue has surpassed herself.

Pub Date: June 1, 2001

ISBN: 0-15-100672-5

Page Count: 352

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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