by Emma Smith ‧ RELEASE DATE: June 15, 2016
Perfect for the Folger Shakespeare Library’s 2016 “First Folio!” tour celebrating the book’s 400th anniversary.
A biography of the most valuable English-language book in the world.
The famous First Folio of Shakespeare’s plays exists thanks to two of the Bard’s fellow actors who pulled it all together seven years after his death. Nearly 1,000 pages long, it took two years to print, and when it went on sale, in 1623, it sold for 1 pound; buyers had to bind it themselves. The first printing was a bullish 750 copies. What happened next is what Smith (English/Hertford Coll., Oxford; The Making of Shakespeare’s First Folio, 2016, etc.) is most interested in: the book as cultural object. Who bought it, and why, and what did they do with it? Smith has traveled the globe to track down copies in order to write her “biblio-biography,” an “attempt to reconstruct the history of one particular book…how that book moved through time, space and, context.” Focusing first on the topic of “owning,” with its individual, cultural, and national desires, she traces in detail the movements of three specific Folios. After passing through various hands, one ended up in Henry Folger’s incredible library/museum (along with 81 others). A second ended up at a Japanese university, and the third went to Oxford’s Bodleian Library in 1624, was sold to a collector, and then came back thanks to fundraising efforts. In the “reading” section, Smith analyzes the range of marks and marginalia made early on in the Folios when they were a “real reading text,” as well as “early female engagement with the book.” “Decoding” is an intriguing look at the intense scholarly scrutiny Folios have generated, including a foray into the possibility of secret codes within textual irregularities. The final two sections deal with the use of Folios in the theater and “perfecting” the Folio: facsimiles, forgeries, and digital reproduction. It’s academic, yes, but thoroughly delightful for bibliophiles and Shakespeare lovers.
Perfect for the Folger Shakespeare Library’s 2016 “First Folio!” tour celebrating the book’s 400th anniversary.Pub Date: June 15, 2016
ISBN: 978-0-19-875436-7
Page Count: 320
Publisher: Oxford Univ.
Review Posted Online: March 26, 2016
Kirkus Reviews Issue: April 15, 2016
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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